J'aurais pas dû mettre mes Clarks

Torn between the desire to protect his little brother in a violent world and the longing for the utopia of a queer community, Hector (23) embarks on a journey between reality and fantasy to reflect on his own experience of violence and to find closeness to his brother again.

In a dimly lit jazz club, a widower cinephile battles his buried desires. That's until he stumbles upon a mysterious cinema that unveils his suppressed longings and leads him on a journey of self-discovery through his enigmatic reflection.

Ergui as Mãos aos Céus e Não Havia Mais Luz

Hana is an LGBT master painter. she has been rejected from Iranian society because of her sexual orientation. At the age of 9, she showed her interest in a girl for the first time. For this reason, the family also rejected him. Hana is ready to do anything to save her lover because of the many tensions she has gone through in her life.

In the last days of their tumultuous relationship Julian and Lara are confronted with a life changing event and now must bear the consequences.

Los Colores Pardos

After a Hollywood agent suffers the loss of her biggest client and closest friend, she is asked to represent an AI version of the deceased actor.

When a renowned film director, clashes with the young son of a house she's using as a filming location, a power struggle ensues, forcing the director to confront her own arrogance.

Experience the 1990’s and the end of a millennium in the sixth installment of the “Tour de Cinema” series.

Dive headfirst into what many believe to be the most influential decade in filmmaking, the 1970’s.

Set in a dimly lit, nearly deserted cinema hall, the film follows a protagonist whose encounters with a fellow moviegoer, a projectionist, and the presence of an unseen voyeur take on a charged, sexual undercurrent. As boundaries between experience and liminality blur, the cinema hall becomes a space of shared, ambiguous encounters where desire, tension, and vulnerability intertwine.

A Hollywood filmmaker (Mike Jittlov) makes a short for an evil film studio. Unbeknownst to him, the producer has placed a bet of $25,000 that he won't come up with anything with a use. Luckily, our film creator gets the help of his friends.

273 KELVIN

Grosse Baston Partie 21

The movie tells the story of how movie theatres can be an escape from the outside world.

Antoine - a grieving loner - spends his days in a cafe on Place Clichy watching people. Every day, he sees a woman he calls Albertine get out of the subway and go to the movies. Today, he takes it upon himself to talk to her. Thus began Antoine's down-going.

An anguished woman awaits her love. A film is made about this. The parallels between the love between the woman and the film team are interspersed and show how this feeling can be both a pain and a joy.

A film critic is tasked with documenting an old cinema before its permanent closure.

Upsilone

Tight