7 motivos (para tener esperanzas sobre el futuro de Chile)

Ireneo de Valpo

Valdivia 1960, El Gran Terremoto

The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.

2021. After spending a year in confinement, a group of high school students and their two teachers begin an end-of-year trip to Mallorca. This great plan is the last opportunity they have to all be together, make up for lost time, be able to have fun like they have never had before and say goodbye to this crazy stage of their lives. However, a new coronavirus outbreak disrupts all their plans and forces them to stay locked in their hotel rooms. More than 50 students, 2 teachers, a hotel and many, many minibars... What could go wrong?

It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.

Sonar Rock City: Seattle is a journey through the city that caught our attention back in 1992 thanks to the grunge movement which today no longer exists. Still today the creative spirit runs through its veins with a new music scene that captures what Seattle is in its core.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

When everyone is supposed to be celebrating the arrival of a new year, the Chilean director Cristobal Valenzuela takes to the streets of Santiago to give voice to another facet, less colorful and festive, undoubtedly invisible, of this eve. Lonely pedestrians who roam the streets of the city inhabit the frame of a handheld camera that allows them to express themselves. Comments of hopelessness and tiredness, contrasting with the sky lit by fireworks, give us a glimpse to that other social image.

Rüdiger was a child, Aki two months old and Kurt, the deputy of the pedophile leader of the sect. In 1961 they came to Chile together with 500 other German sect members and for over 40 years they lived secluded from the rest of the world. The film tells about the attempt to survive as a collective after decades of crimes such as torture and murder and shows different ways in which the individual copes with the history of the community.

Report on the town of San Pedro which exists in the middle of the desert and at over 2,430 meters above sea level. It also deals with the work of priest Gustavo Le Paige and the museum he helped develop.

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

A pandemic, a time of hard lockdown, when contact with other people is severely limited. The most common means of communication are online conversations, which the director uses to talk to people who, like him, are stuck alone in their apartments.

It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.

"Everybody should have a home. If you punish a nation, this is so abstract, it's very mean to use your power to put another country in your control... Instead of punishment, maybe we should have love." Eliane from Chile, Milad from Iran, and Georgia from Greece, three migrants in the UK and their thoughts on love, home, family, and Shakespeare's Romeo and Juliet.

Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.

Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.

While the whole world has stopped during the coronavirus pandemic, the residents of the Kolochava Transcarpathian mountain village are living their normal lives. Only ambulance workers know what is really going on.

Alain Cluny is Balthazar, a bumbling middle-aged intellectual who spouts off from time to time about leftist causes, usually to his current girlfriend. Then Edwarda (Bernadette Lafont), who is active in the political underground, comes into his life. From that point on, he begins to act on his beliefs. Edwarda's underground political action group stages a little drama to test Balthazar's commitment and reliability, putting him through an interrogation by what appear to him to be French secret police. Having passed this test, he is given a real assignment. This film is a comedy with elements of satire, and it explores the humor to be found in left-wing pretentiousness of all kinds. - Rovi

What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.

Follow Kelvin Peña across America as he explores the country's natural wonders, meeting interesting individuals and various wildlife along the way.