7 motivos (para tener esperanzas sobre el futuro de Chile)

One neighborhood in New York City, March 2020: the coronavirus is spreading rapidly, the federal government is clueless, and life seems increasingly surreal. A month later, the city has become an epicenter of the pandemic as the death rate spirals upwards. Then the racial justice protests erupt... Strange Days Diary NYC is an intimate account of living through a disruptive, frightening, yet inspiring time.

In the midst of a profound social conflict, the director, a blind activist based in Canada, returns to her native Chile to follow five activists who embark on a transformative process to dignify their lives.

Puppeton, the town of 31 Minutes, faces such an infernally hot Christmas that Santa Claus cancels his visit! Bodoque the rabbit heroically volunteers to rescue the presents from the North Pole, while his friends improvise a disastrous Christmas show. But what they don't expect is Bodoque giving in to some irresistible temptations along the way.

Davide and Loris are brothers and live in a very small village in the north of Italy. While Davide is eighteen years old and gay, Loris is almost thirty and doesn't know anything about his brother's sexuality.

Mateo, son of a notorious mob lord of the city, has been dumped by his wife who took his son away. He doesn't resist the shame and hires the most ruthless hit-man available to kill them. He hires Toro Loco, a cold, eccentric assassin with will bring the hell to this family, always under his own twisted rules.

It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.

The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.

2021. After spending a year in confinement, a group of high school students and their two teachers begin an end-of-year trip to Mallorca. This great plan is the last opportunity they have to all be together, make up for lost time, be able to have fun like they have never had before and say goodbye to this crazy stage of their lives. However, a new coronavirus outbreak disrupts all their plans and forces them to stay locked in their hotel rooms. More than 50 students, 2 teachers, a hotel and many, many minibars... What could go wrong?

Alain Cluny is Balthazar, a bumbling middle-aged intellectual who spouts off from time to time about leftist causes, usually to his current girlfriend. Then Edwarda (Bernadette Lafont), who is active in the political underground, comes into his life. From that point on, he begins to act on his beliefs. Edwarda's underground political action group stages a little drama to test Balthazar's commitment and reliability, putting him through an interrogation by what appear to him to be French secret police. Having passed this test, he is given a real assignment. This film is a comedy with elements of satire, and it explores the humor to be found in left-wing pretentiousness of all kinds. - Rovi

The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Documentary short about the death of Chilean general René Schneider by the CIA, following the election of Salvador Allende as president of the nation.

Valdivia 1960, El Gran Terremoto

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

Memorándum

An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.

The documentary portrays the desires and ftures of four young people from the third year of secundary education in Chile. Two of them attend the industrial high school in the San Joaquín commune, where they have already begun their training as a textile technician. They both have dreams, they want to study, work, start a family and improve themselves. On the other hand, at the exclusive Saint George school, two students study in privileged conditions. They want to be professionals and develop through the arts. This is the portrait of two worlds located less than 20 kilometers apart and that can only be together in the audiovisual montage. It is the manifestation of the coincidences and contradictions that exist between the realities and the discourses of four young Chilean students in a fundamental stage for their future.

The "cueca" is Chile's national dance. Marveled by this form of dancing, the narrator reflects on the meaning of dance in our lives and how it has been portrayed in the history of cinema.