Capitão - Assim se conta em Santa Maria de Itabira

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

Prep and Landing: On Christmas Eve, a high-tech team of elves from an elite unit known as "Prep & Landing" ensures homes around the world are prepared for Santa's visit. But when two hilarious little elves face unexpected challenges and are pushed to their limits, it'll take a great big effort to save the season. Prep and Landing: Naughty vs. Nice: The outrageous yuletide adventures of Christmas elves Lanny and Wayne continue in this totally tinsel adventure that reminds us there's room for everyone on the 'nice' list. Santa's stealthiest little elves must race to recover classified North Pole technology, which has fallen into the hands of a computer-hacking naughty kid, in an effort to stop Christmas from descending into chaos.

China, 1997. An unhappy marriage, a love affair and a child who holds all the secrets.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

In 1968 Dennis Wilson of The Beach Boys met a dynamic and passionate singer/songwriter and introduced him to Hollywood. The two set out to record that artist's first professional album. The album became known as LIE. In 1969 this artist achieved incredible fame, but not for his music. The artist's name was Charles Manson.

When a young man makes an unholy choice, God will test him.

A sickly scrawny man in a striped uniform takes a shaving brush and foam, and with a sharp blade, he shaves the back of the head of Rudolf Höss, the commandant of the Auschwitz camp himself. They will never speak with one another, and Joseph (we only learn his name during the credits) will never harm Höss, will not stop the flood of horrible murders with yet another murder. This short sketch about life of a death camp makes us feel pain and grief of millions of people who had passed beyond the walls of the shaving room during the imprisonment of Joseph, the man who outlived his torturer.

A pair of dragonfly wings grows out from the back of the first biological kid from two men. One of the fathers, the scientist who created the kid, wants to hide the fact from the public, while the kid wants to expose the wings to force his fathers to accept him.

Claustrophobic portrait of a docile rural wife's daily routine.

The tale of a ravenous rat who craves buns, biscuits and all sweet things. Tearing along the highway, he searches for sugary treats to steal, until his sweet tooth leads him to a sticky end.

CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.

The story of a mischievous father who calls his very busy kids to tell them that, after 55 years of marriage, he and their mom are getting divorced. Horrified by the news, the children prepare to fly home to stop the divorce and save their parents' marriage.

Jennie the terrier has everything a dog could ever wish for, but still feels that something is missing. She leaves home to discover what that is.

This anti-homosexual social "scare" short film focuses on the dangers of young boys talking to strangers.

Vertigine (Vertigo) is the original title of a fragment of around 4', signed by Michelangelo Antonioni, which is a part of the eight-minutes documentary La funivia del Faloria. The title was eventually modified in La funivia del Faloria because considered more effective to obtain the governmental prize (at the time the minimum length allowed was 8 minutes). Vertigine was shot in 1949 with the cinematographer Bellisario, who was director of photography in several documentaries in those years, but was edited only in 1950, after Antonioni had made his first feature film, Cronaca di un amore.