Briquet Pistolet

This movie is a Marcel Aymé adaptation and it deals with the not-so-glorious side of the Occupation: black market, war profiteers, cracking open bottles of Champagne while most of the Parisians are almost starving.

Nina is a young, carefree actress who arrives in Paris searching for her big break. There, she finds drama both on- and offstage as she becomes involved with three men: a mild-mannered real-estate agent who offers her stability, a bad-boy actor who lives dangerously on the edge, and an intense theater director who casts her in a production of “Romeo and Juliet.” As opening night approaches, the emotional extremes of Nina’s love life fuel her art.

Lieut. Robert Banks, an American aviator on leave in Paris, meets Mary Gordon, a young American who lives abroad, but their romance is cut short by his return to the front. In an air battle, Robert brings down and captures the Grey Eagle, Baden, and takes him to American Intelligence in Paris. Mary, ostensibly a spy for the Germans, drugs Robert, who awakens to find that his uniform has been stolen by Baden. Later, in an exciting air conflict, Baden is wounded but shoots down Robert's plane. The German rescues him, however, and takes him to an Allied hospital, assuring him of Mary's love; his faith in her is restored when he learns that she is actually a spy for U. S. Intelligence.

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.

Five floors. Forty apartments. Rats, leaks and debts. In Pantin, I live in a building with a danger order. Under court order, we have to renovate it. Between Dantesque arguments, missing money and humor as a fire extinguisher, I film our collective rescue.

A Parisian nightclub owner known for her performances of the can-can attracts the ire of a self-righteous judge. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her lawyer boyfriend.

During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.

The film centers on a big Polish family. Jadzia is the mother and the ruler of the Pzoniak family (she has five children). Though she's happily married to Bolek, she is also having a long-time affair with Roman. Her young daughter Hala is having an affair with neighbour cop Russell and becomes pregnant by him. Russell is pressed hard to marry Hala.

Paris, 1984. A group of friends contend with the first outbreak of the AIDS epidemic.

Paris doctor Catherine starts to think her husband, Bernard, is having an affair when she hears an unfamiliar woman's message on his voice mail. Hoping to learn more about his extramarital activities, Catherine heads to a strip club, where she hires call girl Nathalie to have a fling with Gerard. As the affair progresses, Nathalie gives Catherine regular status reports, and the relationship between the women evolves from business to personal.

Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky's The Rite of Spring is about to be performed. The revolutionary dissonances of Igor's work parallel Coco's radical ideas. She wants to democratize women's fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.

The Way Out Electronics Company markets a new colour television set, complete with "fourth dimension", which transmits physical objects across the air and gives the viewer power over the action on the screen. The chief salesman of the company arranges a demonstration for a wealthy eccentric. As he flips the channels the unseen eye of the camera catches the beautiful women of Paris taking off their clothes.

A struggling American writer and a fellow American expatriate begin a sordid affair among the chaos and discord of 1940 Paris, France on the brink of World War II.

A young, unfaithful wife and mother is thrown out by her cold, unforgiving husband, the Attorney General of France. She is barred from ever seeing her three year old son again despite her earnest attempts to make amends. For many years the mother seeks refuge overseas and in Absinthe. In the end, her son, a young and promising lawyer unknowingly defends her in court. Ruth Chatterton gives a marvelous performance in this early talkie in her portrayal of Madame X.

Paris, France, 1979. Rose, a rebellious orphaned teenager, and Michel, a young aspiring painter, enjoy their crazy love under the neon lights of the decadent nightclub Le Palace, where they establish an ambiguous relationship with Lucille and Hubert, two bohemian bourgeois who will change their lives.

Now living a quiet, luxurious life at his French estate—funded by past crimes and his marriage to an heiress—Tom Ripley finds that an art scam he supports—selling forged paintings by a supposedly living artist named Derwatt—beginning to collapse. An inquisitive American collector suspects his Derwatt painting is fake and demands answers. As the situation escalates, Ripley turns to murder and elaborate identity deception to protect his reputation.

Paris, 2025. Humanity has been affected by a sudden and incomprehensible evil: the entire planet has become invisible. Karl, an outcast boy, is satisfied with this strange existence and leads a peaceful life in this new world. Until the day he meets Lila.

When a deadly mist engulfs Paris, people find refuge in the upper floors of the buildings. With no information, no electricity and hardly any supplies, Mathieu, Anna and their daughter Sarah try to survive the disaster.

A playful exploration of underground responses to social mores in 1970s Ireland, told through a day in the life of two young women.

Three men—from China, the Democratic Republic of Congo, and Palestine—live together in a squatted apartment in a seemingly abandoned building in Paris. The group is bound together by their shared experience of life in exile and the fleeting nature of their possessions, relationships, and sense of home, but the temporary safe space is threatened by outside forces and events.