A snappy young book agent reforms and becomes a cook for a group of Boy Scouts.
Two-reel comedy, directed by William S. Campbell staring noted orangutan actor, Joe Martin
An experimental sitcom, shot in the style of silent films of the early twentieth century. A parody of military-patriotic films. The plot of the film is the battle of the Russian army with Napoleon in 1812.
A man is robbed and creates a plan to get his money back from the robber.
As a man forgets where he placed his keys, panic ensues.
A young man is elected by a small village to be its parson. As part of his duties, he is required to marry the widow of the parson before him. This poses two problems--first, the widow is old enough to be his grandmother, and second, he is already engaged to another woman.
A hapless stage musician struggles to keep the attention of her meagre audience. When her tricks start to backfire with increasingly dire results, she turns to ever more spectacular methods.
Pompeyo and Rodolfo work in a newspaper, but they dream of becoming film actors, so they go to a casting for an American film that will be shot in Madrid for a few days; but things will not turn out as they expect…
Charlie Chaplin's beloved Tramp returns.
In 1970, Kuster Beaton, a former silent-film star, gives an interview looking back over his career. A journalist asks him about his legendary power : an alleged super-speed that enabled him to shoot his films without special effects.
A silent film following a broken father and his misfit baby.
An insoluble quest.
Comedy short film directed by Filippo Martelli.
Cinematic fairy tale and adaptation of the story "Ochesel and Balaior" by Marin Iorda. The story of two brothers that are diametrically opposed who, as children, go in search of the Enchanted Fortress.
Mädi Macht Krieg
For the Honour of Australia is a 1916 film composed of footage from two 1915 Australian silent films, For Australia and How We Beat the Emden, plus the documentary How We Fought the Emden.
História de Amor em 16 Quadros por Segundo
Three overlapping stories showcase the power of love after the death of a child, a father, and a lover for those who remain.
The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.