13*3

A visual reinterpretation of dance and animated found footage.

A jewel of Italian artist cinema long considered lost, Echo by Gianfranco Pardi was presented for the first time in 1971 at Studio Marconi. The music from the film, created together with the artists Mino Ceretti, Carlo Ruffini and Davide Mosconi, will then flow into the album Uno zingaro di Atlante con un fiore a New York, released by RCA in 1973. As Franco Quadri had already noted at the time, the structure of the film unfolds in three moments which, although contrasting, blend into each other harmoniously, from a visual and musical point of view. The first is of an exquisitely conceptual nature and focuses on the constructive values ​​of the architectural measurement of space; the second is characterized by a convulsive explosiveness bordering on pop and, finally, the third brings the gaze back to the natural order.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.

An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.

The end of the world isn’t a global catastrophe, but an inner sense of total collapse, like for a man who’s lost his job and doubts his wife’s loyalty. In despair, he goes fishing and finds a wounded angel. He takes the angel home on his bicycle and introduces him to his family. But soon after, during a party at a local bar, the angel is accidentally shot by a neighborhood policeman. Based on Gabriel García Márquez’s short story 'A Very Old Man with Enormous Wings'.

A boy waits in the same street every day with his bags packed. What is he waiting for?

Mesmo Nesse Fim de Mar

The parents of an adult infant named "Child", played by Todd Haynes, attempt to expel him from their home, by casting magical spell seen in a television documentary about Malaysian rites of passage.

A visual experiment on the different types of movement in a city.

A first-year film student is invited to document an eccentric audio engineer's historic discovery but finds himself more enraptured by the idiosyncratic inventor than the discovery.

The people are in turmoil. The ground from which their enchanted garden grows, is trembling. Between bushes and trees, flowerbeds and fountains, everyone has lost their way on their own. Their eyes search for paths, their hands try to remember. Sometimes they spot something. Sometimes they listen. They catch a whisper, a faint promise. They follow the petals downstream. Further.

Helle Köpfe

Energy cannot be created or destroyed. When we die, where does our energy go? Inspired by Vauhini Vara's essay "Ghosts", in which she prompted Al to help her write about her sister's passing, "GHOSTS" takes us on the emotional journey of grief. We see a ghost figure trying to get through to her sister, who is still alive, and let her know she's still around somehow. There are two poems in this piece, one is a poem written by GPT 3, and the next is the director's (Oriana Mejer) response to it. This film uses spoken word poetry, TouchDesigner motion graphics, and is originally scored by French musician Taime.

Roca Morena

A girl and an older man discuss the nature of reality while doing chores on a pig farm.

La fin

Despierta

“I Was So Afraid of You Running Away” is an analog film consisting of nearly 5 thousand frames being drawn by hand directly onto 36 mm film negatives. The film explores the tension between desire and restraint, freedom and constraint, ultimately underscoring the fragile balance between self-expression and self-sabotage in the pursuit of love. Through a dark analogue visual narrative and a hauntingly evocative soundtrack, the film unravels the enigma of love, portraying it as a dynamic force that transcends conventional boundaries and defies simple categorization.

An autonomous labyrinth wreaks havoc.