The Dogs are Coming

Paris, summer 2019. Marcio is a young Brazilian who recently moved to the French capital, hoping to find a better life there. However, reality catches up with him when he ends up broke and homeless. Without hope of integrating the working world, he survives by joining a pimping network, until a man, much more mature than him, decides to take him under his wing.

In an escort agency called the White Rabbit, Alice Liddell is a sex worker. When The Mad Hatter meets her, he becomes obsessed with her.

For those who thought "Reefer Madness" was the first exploitation movie you'll be interested to know that the genre was alive and well during the silent era. "Street of Forgotten Women" is the usual potboiler about a rich girl who is disowned by her father when she decides she wants a career in show business. After sinking her money in a stage production which immediately flops, she's forced to try and earn a living dancing in a saloon in her underwear. Even worse, she is forced into prostitution in a slum apartment that just happens to be owned by HER FATHER!!!!!

Young prostitute meets an artist, gets invited to a modeling session and finds herself in rather new and exciting world of artists; then the day ends and she has to return to her usual place in life.

A bold study on the dangers of prostitution in the Soviet Union in the 1920s. It's sort of dramatic fiction that tells the story of Lyuba, which after irremediable events, loses his honor, being obliged to exercise the oldest profession in the world to survive. She hopes for better days and a new opportunity. The film also shows us the story of two other women who also need hope.

Aluga-se Moças

A tragic tale of an individual teen prostitute as seen from the lens of her Buddhist neighbor.

At the trial of a judge who was found with a prostitute, a list of clients pops up. It contains the names of some very influential judges and politicians. Then, dead bodies and death threats erupt. Jacques is the trial judge and his own life seems to be in danger...

Megan Hughes plays Grace Nichols, a businesswoman constantly competing with men to get ahead. Unfortunately, her love life is also suffering. One day, while chomping on a donut, she realizes she's put on a few pounds. She decides to get back in shape, and asks her secretary Angie Li (Candace Kita) if she could recommend a good personal trainer. Angie recommends Brian Lerner (Doug Jeffery), a guy Angie's also been sleeping with for the last few months. Of course, Grace doesn't know that. Grace meets up with Brian, and it's innocent at first. She tosses on the workout clothes, he comes over to help her out with exercising, and goes home. Simple enough, right? However, this is a softcore flick, so you know the sex is coming. Eventually, Grace asks Brian to accompany her to a formal dinner.

In the spring of 1902, Viennese working-class daughter Marie König runs away from her beating father and is lured into a high-class brothel by an agent. Instead of the promised self-determined life "with horse-drawn carriage rides and silk dresses", she experiences closed doors, violence and exploitation. Only after years of agony does Marie confide in the journalist Emil Bader, who makes the conditions in the brothel public and takes the owner, Regine Riehl, to court.

Yoshie Nogami, a factory worker by day, works as a bar hostess at night. She begins a passionate affair with one of her regulars, but his changing demeanor and constant demands for money lead Yoshie down a dark path.

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.

Shakti and Shankar are two childhood buddies who grow up on the wrong side of the tracks, in a shanty town. Shakti becomes a sort of 'godfather' for the locals under the name of Dayavan. He falls in love and gets married to a young prostitute. However, their happiness is short-lived, as the gangster lifestyle begins to take its toll.

A prostitute is thrown out of her house by her alcoholic father, and her scheming brother-in-law tries to devise a plan to marry her off and make some money in the process.

Ebrahim leaves his family and tries out his luck in Teheran. But in this urban jungle where everything's for sale and anything can be bought, dreams rapidly become nightmares. Caught up, in spite of himself, in a trafficking ring, will Ebrahim find an opportunity of escaping?

Daisy Mae Walker is an aspiring singer from a small town in Texas, who comes to a Big City to pursue a show business career. A kindly cab driver and a troupe of down-and-out musicians staying at her hotel provide her advice and support; but she falls prey to a sleazy nightclub owner who promises her stardom and makes her his "kept woman". NB: There is no "The" in the title of this film.

The film portrays the story of an aspiring actress who is ready to go to any extent to make it big in the cinema industry. It was inspired by the life of Silk Smitha, a South Indian actress noted for her erotic roles.

A middle-aged Irish farmer, who still lives at home with his mother, sets off on a mission of revenge when the old lady is murdered.

Franco Adami injures a condescending prostitute to photograph her, but escaped from guilt, causing her death by bleeding.

Ricky is a young man who takes care of his sick mother. His father hovers at the edge of the picture, so Ricky provides for himself and his mom through prostitution, running errands, and acting as a caregiver for a blind man. Through the course of the film, Ricky befriends Janey, a young woman he finds beaten by her ex-boyfriend, and Trenn, a mysterious young man in trouble with the law. The three of them navigate a dark and confusing world. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.