St. Louis florist Darien Burress launches her small business while preparing to compete at Art in Bloom, the St. Louis Art Museum's annual festival celebrating floral design and the fine arts.
The film tells the story of young musician Hakob Tutunjyan, who discovers what freedom truly means to him.
Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas, addressing historical crises and mass media representation alongside explorations of chance procedures. This first glimpse inside his studio in decades is exactly that: a thrilling document of the 79-year-old's creative process, juxtaposed with rare archival footage and intimate conversations with his critics and collaborators.
A Short Film About John Bolton is a darkly hip and hilarious film explores the question that torments artists of every medium: "Where do your ideas come from?" Renowned artist John Bolton's paintings of voluptuous she-vampire nudes have earned this quiet eccentric a reputation for having a "damaged imagination." BBC radio personality Jonathan Ross buys his pieces, which leads interviewer extraordinaire Marcus Brigstocke to find out what the appeal is in Bolton's beautiful (but terrifying) artwork. Why does Bolton demand that his gallery "monsterpieces" speak for themselves? What does he do with that ornamental knife that he carries everywhere? Will Marcus ever learn how to operate the camera?
Directors Jonathan Alter, John Block and Steve McCarthy bring New York columnists Jimmy Breslin and Pete Hamill’s courageous writing to life, celebrating the acclaimed journalists and the city they loved.
Algerian director Hamid Benamra turns his focus to Mustapha Boutadjine, a charming, mercurial collage artist in Paris whose very work methods embody resistance, and celebrate those who work to liberate others. Boutadjine creates his portraits of Third World artists such as Miriam Makeba, and Algerian figures such as Assia Djebar from pieces of paper torn from high end fashion magazines and other, glossy, glitzy publications. Using this material is as much an act of rejecting bourgeois standards, which are often anti-North African in France, as much as elevating these figures and making them the social and visual standard against which we should judge ourselves, not the runway models of Chanel.
A quiet village scene of pleasing restfulness, permitting us to see how the Swiss villagers maintain their reputation as regular Churchgoers. The old street and church are the only remains of the former village of Meiringen, which was destroyed by fire ten years ago.
1904, cinematography by Frank Ormiston-Smith.
The Artist
From Germany to Italy, the United States to Île-de-France, Jumbo/Toto, Stories About an Elephant shadows the itinerary of a single forgotten animal, an African elephant doubly-named Jumbo/Toto. Jumbo, as he was called on German colonial ships,at the Amerikakai port of Hamburg, and in Carl Hagenbeck's zoos; Toto, as he'd come to be known with great fame in fascist Italy. An urban investigation and an adventure film, a ballet of flora and fauna and pavement and sea, Jumbo/Toto, Stories About an Elephant is a modern epic of the joy and pain of the 20th century set in what still remains strange and unknown: the 21st century, and the solitude of telling a story.
In the early 20th century, one of the biggest stars of the Parisian stage was a Black artist who has since been forgotten: the clown Chocolat. This film by Samia Chala and Thierry Leclère tells the extraordinary story of this former Cuban slave who captivated the Lumière brothers, inspired the painter Toulouse-Lautrec, and later influenced writers such as Jean Cocteau. The meteoric rise of Chocolat—who was physically struck and mocked on stage by the "white clown" Footit—reflects the French public's discovery of the "Black man" during the era of colonial exhibitions and the Third Republic. It is a story that still resonates today. Drawing on exceptional archival footage, Chocolat’s epic life story is recounted by historian Gérard Noiriel and actor Marcel Bozonnet, both of whom brought the clown back to life on stage.
1909, cinematography by Frank Ormiston-Smith.
A look at the man behind the legend, capturing the real Andy Warhol, as an artist and as a person, as he travels through China, from Hong Kong's glitter to the mystique of Peking's Forbidden City. Set in the Far East, the story begins with the opening of the most elegant jet set watering hole in Asia, Hong Kong's “I Club,” whose owner, a young Chinese millionaire, decided to try an experiment: to transplant the most advanced, far-out Western culture to the Far East in a multimillion-dollar club that offers everything from restaurants and bars, to a health club and even an art gallery. Warhol is invited to attend the opening as a guest of honor showing his “Celebrity Portraits.” The result of this cultural experiment was varied. Emotions from the “I Club” and Warhol's work ranged from outrage to indifference to wonder.
"The Monsters in My Home" focuses on the work Carme Artero, a foster mother from Majorca, Spain, who has devoted her time to setting up a foundation in defense of the rights of children who have suffered from abuse. The documentary features testimonies and the experience of people who care of children living situations of vulnerability, such as sexual or physical abuse or neglect and whose parents have their parental custody taken away by the Law.
In late summer 1939, the French learned that Adolf Hitler had attacked Poland. On September 3, France entered the war, twenty years after the carnage of World War I. Although France was considered the world’s leading military power, with a vast empire and a powerful ally in the United Kingdom, everyone was overcome with a sense of dread. Yet the fighting would not begin until May 1940 and would end with France’s defeat in June. How did the French people experience those few months—among the most decisive and darkest in the country’s history?
This documentary explores the life of Charles Philip Arthur George, the longest serving heir apparent to accede to the throne, leading up to his coronation in May 2023. It features interviews with those who know and have worked with him.
Il était une fois... Vincent, François, Paul et les autres
Grow Vasu is a biographical documentary on the life of comrade Ayinoor Vasu aka Grow Vasu, a leader of the working class, as well as a champion of Muslim, Dalit, and marginalized communities and human rights movements. At 94 years young, he was jailed for questioning the authority, yet, Vasu continues his fight against oppression, for justice, and for the revolution. The film follows a narrative style divided into ten chapters consists of his personal-political up and downs.