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The San Francisco Foundation Community Leadership Awards presents Bishop Yvette A. Flunder, founder and director of Ark of Refuge, with the Robert C. Kirkwood Award for courageously addressing the issues of HIV/AIDS prevention, response, and care within the African American faith community. As a pastor, scholar, teacher, and activist, she has united gospel and social ministries to create unique programs that improve the quality of life of some of the most marginalized in our community.

An experimental documentary covering the British Columbia Social Credit Party's passage of Bill 34, a piece of legislation that legalized the quarantine and internment of people with HIV/AIDS. A comparison is made to the internment of Japanese Canadians in British Columbia during World War II. Based on David Tuff's video installation at Emily Carr in 1988.

Honorable Ronald V. Dellums, winner of the San Francisco Foundation 2005 Community Leadership Awards (Robert C. Kirkwood Award) - for his decades of courage, leadership, and vision in championing peace, justice, diversity, and economic equality, both locally and globally, and for his impact in moving the AIDS pandemic and its solutions to the top of the global agenda.

Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.

Award-winning actress Ruby Dee narrates this powerful documentary about the impact of AIDS on the families, friends and members of the acclaimed Turtle Creek Chorale. In the past decade, 145 member of the Chorale have died, most from HIV and AIDS. Although grief is a constant presence, After Goodbye: An AIDS Story shows that the singers and their loved ones are also engaged in a continual process of healing. This ultimately uplifting and inspirational video is a testament to the amazing strength of the human spirit.

The first (native) First Nations girl to come forward as HIV-positive in the early 90's. The film chronicles her travels across Canada delivering heart-felt messages and warnings to young people in aboriginal communities.

Mariano, a trans man from Arequipa, Peru, visits his grandparents in the traditional village of Chivay, where he will face the conflict between his gender identity and his cultural heritage from the ancient Cabanas and Collaguas.

Smoke Traders is an inside look at the world of the Mohawk tobacco trade.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.

Short documentary about artist Keith Haring, detailing his involvement in the New York City graffiti subculture, his opening of the Pop Shop, and the social commentary present in his paintings and drawings.

Produced by the activist video collective ACT UP/NY called DIVA TV (Damned Interfering Activist Television), this tape analyzes the collaborative demonstration "Stop the Church" by WHAM! (Women's Health Action and Mobilization) and ACT UP/NY on December 10, 1990, against Cardinal John O'Connor and the Roman Catholic Church's murderous stand on abortion rights, safer sex, and homosexuality.

The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.

'La Mamma Morta’ is an aria from the opera Andrea Chenier that is also well-known for its use in a memorable sequence in the Oscar award-winning Philadelphia. Thirty years on, this new short film from WNO includes a brand-new recording of the aria featured alongside recreated scenes that better encapsulate the perspectives of people living with HIV today. To mark World AIDS Day 2023, the Welsh National Orchestra released a special new version of La mamma morta, featuring WNO Orchestra, soprano Camilla Roberts and Nathaniel Hall from Channel 4’s It’s a Sin. Released as part of the last rendition in the Three Letters project, this film aims to tackle societal stigma around HIV.

On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.

For almost a century, the Coast Salish knitters of southern Vancouver Island have produced Cowichan sweaters from handspun wool. These distinctive sweaters are known and loved around the world, but the Indigenous women who make them remain largely invisible.

The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.

Amidst the Colombian Andes, a group of trans women from the Embera Chami community make their way into the international fashion scene, empowered through artistic collaboration and creation while preserving their spiritual heritage and ancestral connection to their territory.