In a desolate, dystopian world where humanity has long been extinct, a robot searches for parts to rebuild a fellow creature while tending a precious oasis - a radiant greenhouse that stands as a fragile testament to the beauty that once graced the Earth. On his journey, he encounters a beetle, forming a valuable friendship. Together, they embark on a journey filled with discovery, bringing hope and connection amid desolation.
The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems. Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. The Hypergaussian Wars reflects on memory, obsolescence, artificial intelligence and the persistence of images after their original function has disappeared.
Teenage math whiz Kenji Koiso agrees to take a summer job at the Nagano hometown of his crush, Natsuki. When he arrives, he finds that her family have reunited to celebrate the 90th birthday of their matriarch. His job: pretend to be Natsuki's fiancé. Meanwhile, his attempt to solve a mathematical equation causes a parallel world's collision with Earth.
Between Dream On and Dream Off there is a breath — a transition from image-memory to memory-image, where cinema no longer observes reality, but performs the act of remembering it.
A brief journey through the human experience as seen by the eyes of an Artificial Intelligence.
The second kids' AI feature film in history! Every Cool Cat book, animated by AI. Also, for some reason Derek Savage left his audience to publicly pitch names for the film to him in a YouTube comments section, hence all the alternative titles.
Straight from the creators of the groundbreaking Matrix trilogy, this collection of short animated films from the world's leading anime directors fuses computer graphics and Japanese anime to provide the background of the Matrix universe and the conflict between man and machines. The shorts include Final Flight of the Osiris, The Second Renaissance, Kid's Story, Program, World Record, Beyond, A Detective Story and Matriculated.
MÜ : Architectures protéiformes
Through metaphor and visual abstraction, No More is an experimental video about love, loss and memories of years long gone. The animated imagery is created by running original photographs and xerography through an AI application. The song is by David Lynch’s music collaborator Dean Hurley.
When a young girl's fascination with her new tablet threatens to discard her beloved toys, a group of plastic figures must unite against the malevolent, digital entity that is stealing their owner's attention, leading to a desperate, violent battle for survival and relevance.
Set in the year 2060, it follows a love story as Tokyo's third Olympics draws near. Takeru Oosawa, who works for the AI Robot Technology Research Lab, is chosen as a member of the national secret project using humanoid robots. With the help of childhood friend and co-worker Youichirou Amano and his sister Saki, Takeru tries his best to reach his objectives. However, the situation changes when Saki's office receives a warning note for terrorism.
In search of her friends, an old lady enters the 'Amazing Kitsuverse' – a virtual paradise where anything is possible with a simple clap of the hands. There she meets the guardian of the realm: a clever little fox.
In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as 'The Puppetmaster' begins involving them in politics, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster.
Home-loving eagle Salana is forced out of her jungle bird colony to join Pirro, an intrepid swift and member of the Animal Air Force. This unlikely duo embarks on an epic, high-flying adventure to stop a malevolent AI and save the world.
“Surplus Intelligence” is a film that was written by Artificial Intelligence, simulated on a game engine, and directed by Miao Ying. Using Machine Learning Text Generation Neural Networks and Generative Pre-trained Transformer 3, the artist trained the AI to study different styles of writing, including behavioral psychologist, B. F. Skinner’s utopia novel, “Walden Two"; the most popular Chinese online novel style “ 霸道总裁体 ”/ soft-core sadomasochistic Cinderella story depicting a domineering boss; opposing ideological theories; and bible stories.
Tells the early history of how conflict began between the humans and machines. Part 1 of 2.
The battle for Earth turns against the humans, despite their infamous desperate act of blackening the skies.
2067: Isolation: Japan seals herself off from the eyes of the world in the face of unilateral international policy setting strict limits on the use of robotic technology. The island nation exists only behind a veil of seclusion. No soul shall enter. No soul shall leave. 2077: Revelation: The veil is breached. Japan is infiltrated by agents of the organization S.W.O.R.D., a fighting force operating outside of the protection of the United States and her allies. Their mission: Determine if the Japanese are developing banned robotic bio-technology, forbidden due to its threat to humankind. In the battle between machine and man, humanity stands to suffer most.
As Orson Welles, I might say: Art is the grand illusion, a mirror reflecting the complexities of the human soul. It's a symphony of ideas, emotions, and truths, played on the canvas of our shared humanity.
This visually stunning short film delves into a vivid, microscopic world teeming with shimmering organisms, flowing shapes, and synchronized movements that seem alive. Through intricate visuals and audio-reactive design, the film immerses viewers in the rhythms of an imagined microcosmos. Yet, an ironic revelation emerges: this universe is not natural but the creation of artificial intelligence. With a mix of wonder and humor, this short film blurs the boundaries between reality and machine interpretation, offering a thought-provoking look at how computer algorithms reimagine the hidden beauty of life.