Morada Nova - Viajamos pro Interior sem Passagem de Volta para Criar um Álbum

FAVULOSES

Fliegen heißt, den Himmel suchen

With the help of record label 88rising, we look through the eyes six different artist from six different backgrounds, all within Asia, as they share their thoughts on the recent rise of hip-hop throughout the region.

Brutto Nostra

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?

The journey of eight diverse youth in China confronting cultural differences. Crossing Borders - Widening Horizons - Building Bridges between Cultures

Cocco and Stefano are two unlikely friends bonded by a mutual goal: reach Samarkand from the mountains of Northeast Italy. Cocco is an old biker with a troubled past whose dream is to depart towards the East with his Harley-Davidson from ’39. Stefano is a young director who wants to make a film about the adventure and the story of his friend. Between the highs and lows of a quixotic trip, the challenge will reveal bigger than the two expected. Only through friendship, Cocco and Stefano will be able to reach their dreams.

In search of the reality of life for independent musicians in the digital age, the film and art collective "relativ kollektiv" spent over a year accompanying the protagonists of the label and network "Analogsoul" in Leipzig, Berlin, Erfurt, and Jena. The film introduces the musicians in their everyday environments: in rehearsal rooms, during field recordings, at concerts, but also at their "day jobs." Directors André Klar and Benjamin Büttner discover situations between dedication and resignation and shed light on the everyday questions of people whose lives are based on their passion.

Nick and Michi roam the streets and meadows of their neighbourhood inseparably, but when Michi surprises Nick with unexpected news, they try to suppress it in their own way.

A film about friendship and the occasional loneliness.

Vancouver-based voice artist Ashleigh Ball has been the voice of numerous characters in classic cartoons such as Care Bears, Strawberry Shortcake, Cinderella and more. When Ashleigh was hired to voice Apple Jack and Rainbow Dash for Hasbro's fourth series to use the My Little Pony name - My Little Pony: Friendship Is Magic - she had no idea she would become an Internet phenomenon and major celebrity to a worldwide fan-base of grownups. Bronies are united by their belief in the show's philosophy. This documentary gives an inside view of the Pony fan-world, and an intimate look at the courage it takes to just be yourself...even when that means liking a little girls' cartoon.

Year after year hundreds of thousands of fans line the route of the Tour de France, cheering on their heroes and willing them to victory, while millions of viewers worldwide tune in on their televisions. Academy Award-winning director Pepe Danquart, fascinated by the spectacle of the three week race, chose to focus on the courage, the pain and the fear of the riders of the Tour. Training his lens on German superstar sprinter Eric Zabel and his loyal domestique Rolf Aldag, Danquart captures the thrill of the race and the teamwork behind the stars of the peleton. He also shines light on the Tour's supporting cast - the director sportifs, masseurs, and, of course, the wildly enthusiastic fans. Reveling in the stunning landscape - from the Alps to the Pyrenees to the Massif Central to Paris - and with a nice dollop of Le Tour's history, HELL ON WHEELS transcends the sport it celebrates to reveal an astonishing human endeavor.

An inside look at the years of effort and craft that went into the final installment of the Duffer Brothers' generation-defining series.

S'il n'en reste qu'un, nous serons ces deux-là

Over a decade in the making, Swagger of Thieves follows rock band Head Like a Hole from the top of the charts to the bottom of a needle. Staring down their age, two pals and the main guts of HLAH, frontman Nigel Booga Beazley and 'co- conspirator' Nigel Regan strut the hard road out of hell, fighting to reconnect and return their band to past glory, amidst disgruntled band mates, a changed music industry, and disappointed wives. Struggling to place past addictions and sabotaged dreams behind them in their continuing quest for rock music relevance, the ever-collapsing binary stars of any Head Like a Hole lineup, are certain (not) to polish their legacy here. Swagger of Thieves captures what it means to be in a band with a reputation. Unrelentingly raw, wild and honest, to the point of being one of the most insightful music documentaries ever made. Essential viewing. New Zealand International Film Festival (NZIFF), Melbourne International Documentary Film Festival (MIDFF)

With documentary cartoonist Derf Backderf, a poignant look back at the story of ‘My Friend Dahmer’, an investigative graphic novel exploring existential issues. The author sets out to explore his adolescence, which was overshadowed by Jeffrey Dahmer, a former high school friend who went on to become a serial killer.

Experience a year in a classroom in Ilulissat, where kids have each others' backs, participate in exciting activities and navigate friendships and challenges in their daily lives.

This short film offers an intimate portrait of two women in their mid-sixties--one lesbian, the other heterosexual--whose love for one another and the music they create together, transcends differences.

A narrator embarks on a retrospective journey into the final months of school with their best friends. Over five chapters and an epilogue, they reflect on friendship, yearning, and the fears of losing contact with these individuals who are so significant to them. They were 17, more or less.

From our window one can see a set of the film The Green Years, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha's gaze, we look back at the places of that film. The successive geological, urbanistic and social strata of Lisbon, besieged by the pandemic that interrupted the shooting, are drawn out in front of our camera, like a contemporary jazz impro from a score written in 1963.