Experiment

The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.

In Swole I continue to document my commitment to an intensive and transformative gym and diet regimen, as well as the communities that form around such activities, sustaining themselves through texting and sharing videos and photos on social media. I learn the vocabulary of my new community.

This documentary will explore the Afro-Caribbean dance, ‘whining’ alongside the practice of twerking to analyze respectability politics, pressures to accommodate whiteness, and gendered criticism of sexual expression within the Black diaspora. Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.

Are there trans people in the punk movement? How does punk resists in a brazilian state as conservative as Goiás? Is it open to different gender expressions?

A short film about coming of age, childhood and chemistry.

What would happen if the boys were girls and the girls were boys? Kim is still a virgin and unhappily in love with a girl. After the gym class he talks to his friend Robin to get some support and ask for advice.

Soon after New York state passed a 2015 law that health insurance should cover transgender-related care and services, director Tania Cypriano and producer Michelle Hayashi began bringing their cameras behind the scenes at New York’s Mount Sinai Hospital, where this remarkable documentary captures the emotional and physical journey of surgical transitioning. Lending equal narrative weight to the experiences of the center’s groundbreaking surgeon Dr. Jess Ting and those of his diverse group of patients, BORN TO BE perfectly balances compassionate personal storytelling and fly-on-the-wall vérité. It’s a film of astonishing access—most importantly into the lives, joys, and fears of the people at its center.

A storm is coming; the winds are getting strong. The real source of the ominous winds lies with Jina, who finds the strange word 'LingLing' written in her father’s notebook. She suspects he is cheating on her mother, who appears to be bored with life and fills the house with potted plants as if to show for her apathy. The film too is riddled with images of humid air and foul-smelling water, impure and overflowing. The sway of her father’s fishing pole and the flutters in Jina’s skirt seem perilous and unstable. When her anxiety and doubts finally come to a head, the family squarely face the rough downpour brought on by the storm. The director’s talent in boldly translating the characters desires and sensibilities into a narrative with powerful imagery is quite impressive.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

Borrowing its title from the William Carlos Williams poem of the same name, Nameless Spectacle revela in the beauty of ordinary life through themes of voyeurism, power, and sexual violence. Projected on two duelling screens the viewer is unable to focus on the parallel perspectives of the film’s dual perspectives.

A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12-year-old charges with her over-romanticized worldview.

A short self biography about introducing yourself to others, and reflecting on who they see you as.

O que te torna viril?

Five transgender women share their prison experiences. Interviews with attorneys, doctors, and other experts are also included.

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

A non-binary South Asian teenager uses bharatanatyam dance to explore their gender identity.

Seven women and one non binary person share their personal experiences with masturbation through short anecdotes and a revolutionary washing machine.

Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.

A young man is in a gay bar, eyes turn to him and his gaze turns to another boy. Our protagonist does not seem at all comfortable with the place. What is he looking for in the end?

A woman moves into a Manhattan apartment, where she learns that the previous tenant's life ended under mysterious circumstances.