One Day

Ambitious Madleen and carefree creative spirit Hugo embark on a symbolic journey up the mountain of success, exposing the tension between societal pressure and self-fulfillment. While Madleen strives to meet society’s expectations and achieve a high-status career, Hugo chooses to move through life at his own pace, guided by creativity rather than external expectations. The film invites the audience to reflect on the choices young adults face in a success-driven society and to question the decisions we make and the values we prioritize in life.

Indmad

The darkest nights are the most resplendent; there are lights in every corner, creatures of the night lurking, and somewhat disturbing frequencies heard throughout the night. I suppose it is the human anatomy. The answer lies right before your eyes; you only need to open them wide...

A young student runs through the streets, trying to catch a bus that would lead to a university entrance exam. The bus seems to be gone. In that moment, a simple assumption grows into something overwhelming. A chain of thoughts begins, suggesting that missing the bus might also mean missing an entire future. As reality blends with imagined outcomes, the focus shifts. Instead of loss, attention turns to what has already been achieved ,small but meaningful moments that shape identity. In the end, reality breaks through: the bus is still there. The moment was never truly lost.

tercerosombra is a surreal and experimental short film about suppressed emotions, childhood fears, bodily anxiety and the fragile relationship between memory and identity. Through fragmented tableaux, symbolic imagery and unsettling transitions, the film follows an emotional rather than narrative logic. Built around symmetrical compositions, distorted time perception and dreamlike visual metaphors, the film explores the psychological weight of trauma and the silent violence of inner collapse. Each scene functions almost like a living painting, slowly revealing pieces of a fractured subconscious. The film combines absurdism, psychological horror and poetic visual storytelling to create an intimate but disturbing cinematic experience.

After a mysterious event, Adam’s house falls apart, trapping him in his past and thoughts. To escape, he must confront the chaos in his mind.

In My Head

Khris, a shy lesbian haunted by a Greek chorus of judgmental church ladies in her head, must silence her internalized shame and confront romantic rivalry at her art gallery job to finally embrace her sexuality and pursue love.

Romain has 1247 steps to work up the nerve to take Elsa's hand, from the cinema to her front door. One night in Lyon, an inner voice bent on sabotaging him, a countdown written across walls, pavements and billboards. Every step brings him closer to the moment he will have to act, or give up.

In order to boost his own cotton ginning business, Jake Meighan sets the local Syndicate Plantation ablaze. the superintendent of the Syndicate Plantation sends over 27 wagons full of cotton for ginning, and turns aside his suspicions that Jake is the arsonist in exchange for apparent sexual favors from Jake's wife, Flora.

Avid for steep slopes, Marco Siffredi (1979-2002) obeys only one rule: not to fall. This gifted kid with hair sometimes blond peroxidized, green or blue clashed in his valley: Chamonix, mecca of mountaineering. His thing was to go up and down on a snowboard. . 90 minutes September 8, 2002, altitude 8848 meters, rare oxygen, his head already brushing the sky and his snowboard running, Marco Siffredi, 23, rushes from the summit of Everest in the Horbein corridor and its slopes at 50 degrees . A year earlier, he had already made the first descent of the mountain on a snowboard. But there remains another corridor… more direct. It's not a challenge, just a reason to be... However, that day, at the top of the roof of the world, his trace is lost...

A collection of ten vignettes by Tennessee Williams offering various viewpoints on life, love, and death.

Producer-director Glenn Jordan brought together two Tennessee Williams plays, written twenty years apart, that examine the theme of isolation with searching clarity. The joint presentation, entitled "Dragon Country," features the world premiere of "I Can't Imagine Tomorrow," starring Kim Stanley and William Redfield, and a much earlier work, "Talk to Me Like the Rain and Let Me Listen," starring Lois Smith and Alan Mixon. Together, the dramas delve into "a land of endured but unendurable pain, where each one is so absorbed, deafened, blinded by his own journey across it, he sees, he looks for, no one else crawling across it with him."

Flucht in die Dolomiten

A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.

Nikander, a rubbish collector and would-be entrepreneur, finds his plans for success dashed when his business associate dies. One evening, he meets Ilona, a down-on-her-luck cashier, in a local supermarket. Falteringly, a bond begins to develop between them.

Four young friends, while taking a shortcut en route to a local boxing match, witness a brutal murder which leaves them running for their lives.

A couple on a boat. Their love is burnt out. But how to let go when souls are entangled?

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.