Farin Urlaub Racing Team - Danger! - Live

In this East German teen musical, a group of girls are planning to take their summer vacation together on the Baltic coast. When a loud and obnoxious group of boys intrudes on their holiday, the girls are horrified to learn that the boys have the same vacations plans as them. The two groups quarrel with each other and compete over a number of things, but gradually an attraction starts to form.

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

The production bears the imprint of the conductor, Marko Letonja, and the director, Tobias Richter, whose understanding is ideal: both breathe a troupe spirit - specific to comedy - into this heterogeneous cast, which brings together young and old. Both give as much importance to recitatives as to arias and ensembles.

Jiaming, a free spirited teenager, has never taken school seriously. However, he is forced to confront his future when he flunks his O level exams and drops out of school. While deciding his future, Jiaming decides to help out at his parents music pub, Meng Chuan. Jiaming's buddies Caogen, Haoban and Xiaopang pass their exams and move on to Junior College. But they are caught renting porn magazines by the principal and are suspended for a month. During this month, the boys join a local music competition, have a taste of first love, and work hard to bring business back to the struggling Meng Chuan. In this coming-of-age tale, Jiaming and gang realise the harsh realities of the real word. In growing up, choosing to follow your heart is never easy in the face of societal expectations.

A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.

A humble Romanian actor in his 40's, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.

Hans Zimmer is one of the most successful film music composers working today. His multi-award winning career reaches back to the mid-eighties and he has developed close working relationships with renowned directors such as Ridley Scott, Tony Scott, Michael Bay, Ron Howard, Gore Verbinski and Christopher Nolan. His credits include some of the biggest blockbuster movies of all time along with acclaimed TV series such as The Crown and Planet Earth II. This concert was filmed on 7th May 2016 in Prague during Hans Zimmer’s hugely successful European concert tour. Hans was accompanied by a band, orchestra and choir, 72 musicians in total, including guitarist Johnny Marr. The staging was spectacular with a ground breaking light show, stunning visuals and a state of the art sound system. Hans Zimmer performs on multiple instruments and gives introductory insights to many of the pieces during the concert. This show is a treat for lovers of both great music and great movies.

Celebrating twenty years since their debut, Hikaru Utada takes the stage at Makuhari Messe for the final performance of their Laughter in the Dark Tour.

A Gangster From Brooklyn

When the citizens of Bikini Bottom discover that a volcano is about to erupt and destroy their beloved town, SpongeBob and his friends realize they must come together to save their underwater fate. When it seems that life is in danger of collapsing and all hope is lost, an unexpected hero suddenly arises... revealing to all the residents of Bikini Bottom that the power of true optimism knows no bounds, and that the world can really be saved with its help! The crazy animated world of the series - centered on the adventures of SpongeBob - gets a live-action version, with Patrick Star, Squidward, Plankton, and the other beloved characters, brought to life in a musical that succeeds in bringing the wild colors of the series to the theater stage, with songs written by the best composers in the world, among them: David Bowie, Bryan Adams, Cyndi Lauper, Aerosmith and more.

Opera Mundi

Pop singer Renato Zero is threatened by an anonimous letter while on tour and goes on a phycoanalitic quest to find the wannabe killer.

Experience an inside look at David Bowie's incredible influence on music, art and culture via interviews with some of the people who knew him best.

Tenor saxophonist Jimmy McGary was a major presence in the Cincinnati music scene from the 1950s until his death in the early ’90s. With music rooted in Bebop with a progressive slant, the Jazz legend was a session player for King Records and released his first album as a bandleader — The First Time (with a quartet that included pianist Pat Kelly) — in 1979. McGary’s spirit and legacy have lived on well after his passing and well beyond Cincinnati, as evidenced in this new documentary film.

This special celebrates the harmonious pop-rock group, blending full-performance clips, rare home movies and exclusive interviews with the members.

Live Metropolitan Opera performance March, 1985.

A selection of Dusty Springfield's performances at the BBC from 1961 to 1995, from her folk beginnings with The Springfields through to her collaboration with Pet Shop Boys.

The late Jack Bruce fronted the 1960s supergroup Cream alongside Eric Clapton and Ginger Baker and has played with everyone from Marvin Gaye to Jimi Hendrix and from Lulu to Lou Reed.

Leading a renaissance of earnestness is the Scottish band Travis, whose December 20, 2003 concert at London's Alexandra Palace finds the young band onstage and on fire before a polite yet enthusiastic crowd of 8,000. It's a huge hall, almost too big for the band's intimate, introspective music. But Travis pulls off a high-energy show built around its 2003 12 Memories album, lighting songwriter Fran Healy's pure-pop cadences with terse arrangements and bursts of overdriven sound. The band plays tight and clean, commendably resisting the tendency among bands to get noisy when they want to sound powerful. If only director Matt Askem better understood this concept. The cameras are always moving, giving us almost no stationary vantage. Still, the picture looks great, with terrific use of black and supersaturated hues emphasizing primary colors. Travis at the Palaceis an exciting record of a band in its prime.