City Shock

A human larva, viscous, faceless, covered in wounds, moves through an ordinary day of its existence: bathing, getting a haircut, watching its favorite film, and working on its art. A self-portrait about the loneliness and self-acceptance of filmmaking.

About this experimental short, director Robert Darroll wrote, "Ultimately everything is an interpretation of a reconstruction. Paleontology of the future is necessarily a reconstruction and interpretation of the present and our interpretation of the past as seen through the templates of a future ideology. The quest for new narrative forms, the investigation into the way we derive meanings, whether intended or not, determined the form of this work."

About this experimental short, director Robert Darroll wrote, "One meaning or many meanings? But not any meaning! A field of meaning. Better. Intended meaning? Yes, but not compelling. Conventional meaning? Definitely not. Is this a narrative? Yes, but new narrative has infinite possibilities for the viewer to collaborate with the author. It isn't finished after one reading." Intended as as an epilogue to Darroll's previous work Future Paleontology.

Hacking a claw machine inside C4D.

Decoherence is an audiovisual composition made with sound waves, water, and granular and spectral processing. A 60 cycle drone from a speaker cone below creates subtle patterns on the liquid surface, which grows increasingly turbulent. This piece explores interference patterns, the interplay of macro and microscopic patterns, chaos and continuua.

A documentary on the work of experimental British animator David Anderson.

An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.

A chain reaction as a new Olympic sport.

An 8-minute satire on politics featuring the first French presidential election campaign broadcasts from 1965 and The Shadoks.

The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.

Filmed on 16mm film, this visual expression is rooted in its archival materials and backed up by the poem by Hans Magnus Enzensberger. It speaks of the forgotten people, their lives and their deeds. These two Archives have been found on the flea market in Zagreb. One is of a famous architect and the other one is of a famous composer. This film ponders on this occurrence, on the vanishing of and forgetfulness of humans.

A 16mm archive from 1964 intervened as an emotional diary during the first three months of the COVID-19 pandemic is the basis of this film, reinterpreted in the montage of the sound design, in which the images are reinterpreted, emphasizing the soundscape of the protests from 2020 to 2023 in the streets of Cajamarca, Cusco and Lima, three regions of Peru, questioning the constant political and social crisis.

Proxima B is an experimental video shot entirely in stop motion. The camera moves frame by frame in models on which video projections animate the sets. Some plant elements were added to the drawing, frame by frame.

Radio host and cyber hacker Skinny Mike and his assistant Crutch are asked to hack the Datadyne Corporation by a mysterious client. Created to promote Brain Dead and Gotcha's collaboration for a surf-inspired collection.

'This Socks' is a stop motion animation short film that experiments with different techniques to illustrate a common everyday annoyance.

This ultra-short, experimental video art piece serves as a stark apparatus for decoding the aggressive rhythm and discontinuous production of contemporary life. The work is built upon a Stop Motion loop composed of just 12 frames, using this brief, intense format as an installation of shock that conveys the systemic pressure of a speed-obsessed society. The central figure, the rat, is placed to represent the archetypal subject of the urban underclass—the individual whose labor is rendered invisible and who is constantly forced into a struggle for survival. What we observe is not an advancement, but a fruitless scurry trapped in a vicious cycle. As the image repeats, it whispers that what we perceive as progress is, in fact, nothing more than an exhausting, self-referential recurrent routine. Rhythm/12 Frames compels the viewer to question both their own limits of perception and the grim reality of existence reduced to a survival mechanism within the system

L'Ondomane

Whereabouts is a riso-printed animated short that follows a woman’s journey through New York City, unfolding through small, intimate moments. From sunrise to sunset, Whereabouts becomes an observation on presence, connection, and the quiet magic of simply moving through the world.

Flowers dance and transform in water, using strobe effects and superimposition. A meditation on life cycles through botanical animation, continuing Jodie Mack's material exploration.

Beneath the skeleton, the flesh that rustles, turns and returns to our heads before rotting in silence. This is the story of this flesh. This surrealist narrative draws us into a darkened world of the unconscious. No matter how bizarre the spectacles we watch are, thanks to superb animation they flow smoothly and surely.