Let Me Do No Harm

Class Acts is a feature-length documentary tracing the genesis of Singapore's creative scene in the '90s through intimate conversations with its pioneering personalities. These are the stories of individuals who started creating with nothing, who push Singapore’s creative standards even today. The ones who went on to inspire a new generation of musicians, designers, and street artists.

To celebrate the release of a new movie for their 20th anniversary, this documentary offers some behind-the-scenes footages.

A landscape is only a landscape until we know what lies beneath. Pozo Ibarra, in the Central Mountains of León, is a mining complex full of significant architectural attributes, and also the imposing and ruinous remnant of a painful past that passed the ideas of freedom, literally, through the stone, turned into a great mass grave. Now, when the sun goes down, the souls that inhabit it rise up, refusing to forget.

The cast and crew of Community reflect on creating the final season of the show.

Rendez-vous de l'espérance

Documentary that recovers the figure of the singer Terremoto de Jerez and his legacy.

Journey alongside a young tigress raising her cubs in the fabled forests of India.

Thanks to new excavations in Mauritius and Madagascar, as well as archival and museum research in France, Spain, England and Canada, a group of international scholars paint a new portrait of the world of piracy in the Indian Ocean.

The Sacred City of Caral or Caral-Supe is the capital of the Norte Chico Civilization of Supe located in the Supe Valley, 200 km (124 miles) north of Lima. The Sacred City of Caral is the earliest known civilization in the Americas, it dates to the Late Archaic period. Radiocarbon analysis performed by the Caral-Supe Special Archaeological Project (PEACS) dates its development between 3000 to 1800 B.C.. It is believed that this civilization started by the merging of small villages based on trade of agricultural and fishing products. Its importance rests on the success of techniques of domestication of cotton, beans, potatoes, chilis, squash among other products. Success in agriculture was due to the development of water canals, reservoirs and terraces. They used guano, bird excrement, and anchovies as fertilizer.

A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.

Autobiographical documentary in which Ian Dury, fighting a battle with cancer to which he would later succumb, recalls his life and career. With contributions from painter Peter Blake and members of Dury's band, the Blockheads.

What stimulates, inspires, worries and disappoints rock singer Milena Slavova over the years? How does an artist go through time through barriers, walls, prohibitions, breakdowns, compromises – all reflected in her songs as music and lyrics. What survives? This is a film about the search and creation of meaning. The echo of a soul that asks why some are silent and others scream.

Sexo é Bom

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

Les Héros de notre enfance

A couple of artists travels through the Mexico desert to present their puppet show.

Heinz Stücke left Germany in 1962 with a bike, a tent and a goal: to see everything in the world. Now for the first time in 50 years, he's come home.

Documentary on Antoine de Caunes, a French television presenter, comedian, actor, journalist, writer and film director.

Les cahiers de la passion

By reversing the image of the burning and destruction of Chinese-Indonesian homes and cultures in the May 1998 tragedy, the filmmaker documents a funeral and cremation she conducted in response to the ethnic hatred that was still being discussed 20 years after the 1998 atrocities. Can memories be erased? What can we choose to forget? What continues to haunt us?