Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds — with some words of wisdom from actor Peter Falk — that it might be possible for him to take human form.
When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
Recently orphaned, a young boy is taken in by his godmother who is shocked to realize that she can see the boy's imaginary friend: a flamboyant, French magician named Bogus.
Francois, a cheerful Parisian bohemian, wants more than anything to be a tour guide in his beloved city. While working the streets, Francois meets Madeleine, who works at a circus.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Since the ban on use of animals in circus shows, the Great Sumatra Circus faces a major financial crisis. Baron, who owns the circus, accepts unseemly proposals from the mayor to hold cattle auctions, rallies and other alternative events at the circus. Unhappy with the news, circus artists come together to plan a new show and re-attract the audience, led by Didi, Dedé and Karina.
Focusing on the predicaments of those born with genetic defect causing dwarfism, the film is the love story between Khoka and Soma.
In a futuristic world that has embraced ape slavery, a chimpanzee named Caesar resurfaces after almost twenty years of hiding from the authorities, and prepares for a revolt against humanity.
James Bond is sent to investigate after a fellow “00” agent is found dead with a priceless Indian Fabergé egg. Bond follows the mystery and uncovers a smuggling scandal and a Russian General who wants to provoke a new World War.
In 1924, Oskar Matzerath is born in the Free City of Danzig. At age three, he falls down a flight of stairs and stops growing. In 1939, World War II breaks out.
The arrival of a travelling circus sends ripples through the inhabitants of a remote Keralan village.
Charles Duchemin, a well-known gourmet and publisher of a famous restaurant guide, is waging a war against fast food entrepreneur Tri- catel to save the French art of cooking. After having agreed to appear on a talk show to show his skills in naming food and wine by taste, he is confronted with two disasters: his son wants to become a clown rather than a restaurant tester and he, the famous Charles Duchemin, has lost his taste!
One night as she comes home, graduate student Esther is savagely attacked in her apartment by a killer clown.
Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.
After Clown Teddy lost his son, he lost his gift for laughter. He opened a joke shop and lives above the shop. His landlady has had a foster son since birth, and Teddy decides to raise the child, who always believed that Teddy was his father. When the mother suddenly appears five years later and wants her son, Teddy decides to run away with the child and goes back onstage with his son. Will the family catch up with them, or will the mother never get her son back?
1907 Central America: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a performer, and decides to stay with the circus, and on her debut as a singer, unintentionally invents the striptease and makes the circus famous. Their inadvertent encounter with a socialist revolutionary lands them leading a revolution against the dictator, the capitalists, and the Church.
Zarkana is a Cirque du Soleil stage production written and directed by François Girard. It began as a touring show in 2011 and was converted to a permanent show in Las Vegas in late 2012. It premiered at Radio City Music Hall in New York City on June 29, 2011 and later toured to the State Kremlin Palace in Moscow and the Madrid Arena in Madrid. Following Zarkana's successful run in Moscow, it was announced that the show would start residency at the Aria Resort and Casino in Las Vegas. The show replaced the Cirque du Soleil resident production Viva Elvis, which closed in August 2012 at the Aria Resort. Zarkana by Cirque du Soleil is about a spirited journey through an abandoned theater where an extraordinary circus comes back to life. Populated by a motley collection of off-the-wall characters and incomparable acrobats, Zarkana is a visual vortex set in a twisted acrobatic fantasy universe where, little by little, chaos and craziness give way to a true celebration.
Mary Miles Minter is the title character. Pat (Minter) is a little orphan who has been raised around the circus. Her foster father is Toto the clown (Neely Edwards). Toto hopes to marry Pat until the day the circus comes to a Southern town and she meets handsome Dick Beverley (Jack Mulhall). Beverley falls in love with Pat and takes a job as trick rider just to be near her. Beverley's aristocratic parents (Winter Hall and Helen Dunbar) find out about his new job and insist that he come home. Two of the five reels survive.
Joe Henry, head of a one-ring circus, plays a small town and after the departure of the troupe a young girl, fascinated by the prospects of being a star, follows. She is engaged and her presence causes jealousy on the part of Joe's sweetheart.
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.