Britpop Conservation Society

SKY ARTS presents Suede's Coming Up (released on Nude Records in 1996) in the Classic Albums series.

More than two decades after it left our screens, BBC Two’s iconic and much-loved music documentary series, Rock Family Trees, is back for a one-off special. The iconic music documentary series returns to examine the real story behind the birth of Britpop and how a handful of like-minded musicians, struggling to find an authentic voice, would pave the way for a revolution in British music. It is an intricately connected story of three of the biggest bands of the 1990s – Suede, Elastica and Blur – and how, for a brief moment in the middle of that decade, they changed British music forever, kickstarting a movement that still reverberates to this day.

Charts the Mancunian rock band's journey from their early days to their debut world tour.

During the 90s, Britpop dominated the airwaves and an epic pop rivalry sparked into life when Blur’s single ‘Country House’ went up against Oasis’s ‘Roll With It’ in the charts.

Tony was the exclusive photographer and video director for Ocean Colour Scene from Moseley Shoals to Marchin' Already, publishing his book 'Soul Driver' in 2014, releasing his feature documentary film 'SCENE' in 2017 and is currently launching his new coffee table 'book of the film' 'Behind the Scene' due for release in Summer 2022.

In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.

A fusion of the brilliantly choreographed stage spectacle of Pulp’s biggest ever arena show — part of the global tour for More, the band’s first album in 24 years — with four decades of colorful, never-seen-before archival material.

Oasis Bandung Live Forever tells the story of the struggle of the Oasis Bandung Community to maintain its identity and unity since its inception, overcoming internal conflicts, a lack of activities, and the impact of the pandemic. However, thanks to the solidarity of its members and small gigs that kept the spirit alive, they rose again with a new concept that expanded the community's influence. Despite another organizational crisis, sponsor support and the principle of “from the community, to the community” became the foundation that kept Oasis Bandung alive and beloved.

Blur playing two hits, in less than 10 minutes

On 10th and 11th August 1996, 250,000 young music fans converged on Knebworth Park to see Oasis play two record breaking, era defining shows. This version, included on the 'Oasis: Knebworth 1996' Blu-Ray/DVD, was shot on the 10th and was remastered in 2021.

Revisiting the making of the film through the voices of those involved, including director Steven Spielberg and stars like Liam Neeson and Ben Kingsley. These accounts reveal the challenges of bringing Thomas Keneally's book to the screen, from production difficulties in Poland to the studio's initial reluctance to the all-black-and-white cinematography. The oral history also explores the film's enduring legacy.

China's first live-action movie shot in space, created and filmed by astronauts Zhai Zhigang, Wang Yaping, and Ye Guangfu using an 8K ultra-high-definition camera aboard the China Space Station. It will immerse audiences in the experience of China's space journey, showcasing breathtaking landscapes, life inside the space station, and the authentic inner world of the astronauts.

An incredible story of the ABA players who created much of what the billion dollar NBA is today–the 3-point shot, slam dunk contest, fashion and culture innovators–are forgotten in a business deal gone bad. A tiny not-for-profit fights back in this David vs. Goliath film.

Two clubs that hated yet respected each other, the Hawthorn and Essendon rivalry of the 1980's is the stuff of footy legend. The last teams to clash in three consecutive Grand Finals ('83-'85), the Bombers were desperate to avenge a humiliating record loss in the 1983 flag decider when they came up against the Hawks a year later.

Saturday, October 30th, 1993. The Stranglers are headlining at the launch gig of the "Rock Circus Super Tent", intended to be the means by which large scale concerts can be taken to locations whose lack of appropriate venues usually sees them miss out on such events. It's a novel setting to say the least, and none of us quite knew what to expect as we left the security of our various domains this morning and made our way towards West Sussex. Anyone could be forgiven for thinking that a huge marquee, standing in a field beside a race track is not the best place to be on a bitterly cold October day. When the opening bars of "Midnight Summer Dream" herald the commencement of over 90 minutes of pure Stranglers excellence it will soon become clear that it is the only place to be...

A whistleblower in a corporate toy company scandal attempts to regain his credibility after going on live television with schmutz on his lip.

After a body-altering accident, a woman must find a way forward in her new reality.

A tribute to Jacqueline du Pré to mark the thirtieth anniversary of her death thirty years ago, on 19 October 1987. The film contains archive footage shot during Jacqueline du Pré’s lifetime which captures some glorious and professionally filmed live performances. It also remembers both her personality and her music through the memories and tributes of her closest friends and colleagues.

Hi, Friends! is a cringe-inducing short film that takes place in the all-too-familiar present day of New York City. The world is closing in around us, and it’s a battle of wills for who can go the longest before the obvious is proclaimed: we are not OK.