Winter Dream

When an ornithologist’s funding gets cut, her nurturing of abandoned bird eggs leads to a transformation as her marriage crumbles.

Before the freeze, there was beautiful garden. "Before the Freeze" is a short psychological thriller with experimental elements, about an overstressed, newly-single mother, her daughter, their dog, and what happens one afternoon when a friend comes over. "Before the Freeze" is Tenley E. Raj's debut film. Written, directed, shot, and edited and by Tenley E. Raj.

The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.

Thirty-six layers of water aligned to create a perfect circle. 1 of 2

An aging publisher becomes a demon wolf and, with this newfound youthful vigor, fights to keep his job.

On setting and forgetting.

A modern adaptation of Guy de Maupassant's short story about a man and a woman sharing an unexpected encounter on a train as it travels through a beautiful and surreal landscape.

The residents of a small Vermont town don't know what hit them when a beleaguered Hollywood film crew brings a chaotic shoot to their quaint village.

'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.

Torn between loyalty to her family, and her love for Jason, Medea attacks her father and flees with Jason to unknown lands. Her brother pursues them. When Jason betrays and abandons her, she is driven to the ultimate act of vengeful destruction.

El espíritu del animal

Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.

A flickering diary of time, memory, and erosion, «Things Many Eyes Have Seen» unfolds over a month on an island. Hand-processed in salty seawater, its 16mm images dissolve and transform. The landscape flashes by in broken frames of light and shadow, as if the world itself was stuttering between memory and motion. A meditation on seeing and being seen, the film lingers like a fading dream, where observer and landscape blur into one.

Experimental yet educative and fishy

Walking through the lost boundaries of the kingdom, our hero finds his greatest enemy.

Longfellow Deeds lives in a small town, leading a small town kind of life. When a relative dies and leaves Deeds a fortune, Longfellow moves to the big city where he becomes an instant target for everyone. Deeds outwits them all until Babe Bennett comes along. When small-town boy meets big-city girl anything can, and does, happen.

The „Haelgung“ films are charmingly impressionistic diary entries, crafted as mini homages to my closest friends, captured with a delightful lack of planning or structure and edited in camera.

During a 6-hour performance and in a additional Film, REA and Yannick Mosimann dedicate themselves to the stretching of time and space based on observations of different trees. The tree, the mammoth of floral time, seems to be a gnarled, proud and place-bound existence, nevertheless in low-frequency, flowing movement. Breathing is here a symbol of time and rhythm, carrier of tonal frequencies of our vocal cords.

Hand-edited Lomokino 35mm footage captures scenes from an island, blending shifting textures with guitars and watery drones. A visual and sonic meditation on place and transience.

Weird Weird Movie Kids Do Not Watch The Movie is the second collaborative feature film between Rouzbeh Rashidi and Maximilian Le Cain. This hypnotic, visually and sonically immersive exploration of a haunted space unfolds in two parts. In the first, a woman (Eadaoin O’Donoghue) dissolves her identity into the ghostly resonances she finds in the rooms and corridors of a sprawling, atmospheric seaside basement property. In the second, a man (Rashidi), existing in a parallel dimension of the same space, pursues a bizarre and perverse amorous obsession.