Remember To Enjoy The Light Before It’s Gone

Monsters don't always stay under the bed.

The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.

In the village of Dodoba, the frog Garo is murdered. A red toad, who is found next to the corpse, is responsible for the terrible crime. At the trial, he tries to defend himself, but the villagers do not believe in the innocence of the strange outsider.

A surreal, dreamlike film exploring love, depression and death.

Manolo and María. They live together and love each other. He loves to constantly play pranks on her. She is very patient and has a great sense of humor. But Manolo doesn't realize that when you play a prank, you have to accept all the consequences.

After being caught kidnapping a woman, a murdering psychopath hunts down the photographer to silence the loose end.

The short film for Kelsea Ballerini's Grammy nominated album Rolling Up the Welcome Mat.

Kino, a traveler who journeys the world with his talking motorcycle, Hermes, arrives in a country where people live inside massive domes. There, she meets a girl named Inertia, who asks him to deliver a letter to her pen pal—a boy who lives outside the dome.

Once upon a time, a mysterious stranger visits a tavern with his unusual barrel organ and gives a scary musical performance to the beggars within.

A dachshund on a leash pulls his master forward, despite all the barriers that occur on their way. The dachshund thinks that he pulls not his master but something huge and heavy.

A reinterpretation of the classic fantasy novels follows Dorothy Gale on a new adventure in the war-torn land of Oz.

Edward Moorhouse's short film, based on The Dark Tower series, highlights the main theme of Stephen King's epic saga: the journey. Roland is on his way...

Home is more than a place where we live. It is also a feeling of trust, being within your family. This feeling is transferred from generation to generation. This film follows a little boy losing his home through mourning and relocation, and questions if it is possible to recapture the feeling in another place. A central theme in the film is the nature of connections between generations. Differences, similarities, and behaviour patterns that are transferred between the old and the new worlds. They tie together individuals and generations in a family the same way as fine silk threads interlace within the cloth.

The year is 2020. A 10-year-old girl is amusing herself to the best of her ability during online classes. She terribly misses the outside world. One day her dad gets her a microscope hoping it would distract her from the gloomy reality of isolation. The gift irritates her at the start until it reveals tiny mysterious creatures that live in the drops of rain water. These mysterious creatures are tardigrades. Slowly, by watching these creatures, the girl begins to associate herself with them.

Cinderella escapes at midnight, leaving behind one of her glass slippers. In the days that follow, the gay prince can't give up the idea of completing the pair.

Two rival robotics companies in the future release their latest creations at a robotics convention, claiming each to be the latest and greatest in technological advances. Mega Stellar Company's release is a robot boy named Romie-O, while Super Solar Cybernetics has released a girl robot named Julie-8. Unforeseen to each of the company's creators, is how each of the advanced robots soon falls in love with the other.

The events in the film take place in a remote place, far from the modern city and civilization, where the real and the unreal worlds meet. There, mysticism and reality are so intertwined that all kinds of miracles are expected. The people there live by their own unwritten laws. The punishments given to those who violate them are also completely different.

Filmed on 16mm film, this visual expression is rooted in its archival materials and backed up by the poem by Hans Magnus Enzensberger. It speaks of the forgotten people, their lives and their deeds. These two Archives have been found on the flea market in Zagreb. One is of a famous architect and the other one is of a famous composer. This film ponders on this occurrence, on the vanishing of and forgetfulness of humans.

Hypnotising slideshow of weathered images presents itself as a relic of an imposing event. A village's inhabitants flee into the darkness of a cave to refresh themselves with projected images. Ultimately, they will pay a high price for their wonderment.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.