FASCISM(s): A Film in Six Parts

Welcome to the 1980s TV horrorshow that never was. PHANTASMATAPES is a psychotronic VHS mixtape that reimagines THE REVENGE OF DR. X (a Japan-set creature feature that was written by Ed Wood) and THE BRAIN THAT WOULDN'T DIE (the savage body horror film that inspired FRANKENHOOKER) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

Daniela (24) is a ghost in pain. Her life ended suddenly and painfully, leaving her friend and roommate, Mónica (22) alone in their shared apartment in Santiago, Chile. Daniela feels her frustration grow within her, as she fears that her time in limbo will never end.

a raw descent, billowing fast & spun 'til the time we'll force the soil to swallow ourselves: too far gone, & no backwards to safety. only spirals of wasted water down dirty, half-clogged drains, razed by fates written for us in cold ash by the bones of ancient smokestacks.

A portrait of Pope Pius XII (1876-1958), head of the Catholic Church from 1939 until his death, who, during World War II, and while European Jews were being exterminated by the Nazis, was accused of keeping a disconcerting and shameful silence.

An exchange student in Eastern Europe enters a realm of unsettling phantasm.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Shortly before the end of the war in 1945, the Allies can already be heard in Nesselbühl in Swabia when three freight cars are uncoupled at the station. The screams of the starving concentration camp prisoners inside can be heard throughout the village, but nobody dares to help them. Only the innkeeper's daughter Anna takes heart...

A group of wealthy American Jewish businessmen have been captured by the SS and are told that they are to be traded to the American army for several SS officers. However, these hostages are being required to pay bribes for their "transportation costs." In order to ensure that the businessmen will be more cooperative in paying up, a beautiful female singer is placed in their midst as a bargaining chip. The group of hostages are then placed on a train which is supposed to take them to the ship that will deliver them to freedom, but a series of "mishaps" delays their escape.

The story of Auschwitz's twelfth Sonderkommando — one of the thirteen consecutive "Special Squads" of Jewish prisoners placed by the Nazis in the excruciating moral dilemma of assisting in the extermination of fellow Jews in exchange for a few more months of life.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

Two instants separated by 99 days conflict with each other.

Can a language save your life? Yes it can, even an ancient one from the 15th century. Saved by Language tells the story of Moris Albahari, a Sephardic Jew from Sarajevo (born 1930), who spoke Ladino/Judeo-Spanish, his mother tongue, to survive the Holocaust. Moris used Ladino to communicate with an Italian Colonel who helped him escape to a Partizan refuge after he ran away from the train taking Yugoslavian Jews to Nazi death camps. By speaking in Ladino to a Spanish-speaking US pilot in 1944 he was able to survive and lead the pilot, along with his American and British colleagues, to a safe Partizan airport.

Stingo, a young writer, moves to Brooklyn in 1947 to begin work on his first novel. As he becomes friendly with Sophie and her lover Nathan, he learns that she is a Holocaust survivor. Flashbacks reveal her harrowing story, from pre-war prosperity to Auschwitz. In the present, Sophie and Nathan's relationship increasingly unravels as Stingo grows closer to Sophie and Nathan's fragile mental state becomes ever more apparent.

Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.

Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.

An absurd, surreal look at the lives of two people and the way their lives turn out after meeting each other.

A young man named Phillip finds himself in a purgatory reality that's littered with clues of his past life. From the discovery of his own corpse to the mysterious connection with a woman scheduled for an abortion, Phillip slowly reveals this doomed fate by his own hands.

In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?