Benutzt und gesteuert – Künstler im Netz der CIA

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

In 1971, graduate student Gloria Orenstein received a call from Surrealist artist Leonora Carrington that sparked a lifelong journey into art, ecofeminism and shamanism. This short film uses art, animation and storytelling to celebrate this wild adventure. Now more than 40 years later, award-winning Dr. Gloria Feman Orenstein is a feminist art critic and pioneer scholar of women in Surrealism and ecofeminism in the arts. Her delightful tale brings alive an often unseen history of women in the arts.

Inceste, le dire et l'entendre

After Dan Brown's publishing phenomenon The Da Vinci Code was cleared of plagiarism charges, this documentary explores the climate which has permitted a fictional story to make such an effective challenge to conventional history that it has forced a counter-attack from the Church, the art world and academics. Has Brown cracked the most difficult code of all our 21st-century cultural DNA?

A documentary film about trading security and stability for passion. A surprising number of small businesses and niche restaurants originate and thrive in the small college town of Provo, Utah. A senior capstone project at Brigham Young University.

Detective Rick Buckner has to prove Keith Jesperson is the serial killer known as Happy Face Killer, guilty of murdering a woman in 1995, and has to make sure he is apprehended before he kills again.

Crossfire is the investigative documentary by an international team of journalists about two reporters, Andrea Rocchelli and Andrej Mironov, killed in eastern Ukraine, and the Ukrainian soldier Vitaly Markiv accused of their murder

L'énigme Céline Dion

Twiggy takes a comprehensive look at the life story of UK model and cultural icon Twiggy, real name Lesley Lawson, whose career kickstarted in the 1960s. It features interviews with Twiggy and her husband Leigh Lawson, as well as commentary from Erin O’Connor, Paul McCartney, Lulu, Poppy Delavigne, Brooke Shields, Pattie Boyd and Zandra Rhodes.

Documentary about the making of John Carpenter's sci-fi horror movie, Ghosts of Mars.

Green Flake, a southern slave, joins Church of Jesus Christ of Latter Day Saints as a child. Later on in his life he is sent to pave the way to what is now the Salt Lake Valley and his faith sustains him.

A documentary made for Konrad Mägi exhibition "The Light of the North" in Torino, Musei Reali (2019-2020), about Mägi's life and his legacy.

Mistr Theodorik

21-year-old Keith Blauschild, formally trained in the culinary arts, is also a self-taught ice carver. Together with his fiancee Angela Boone, Keith sculpts intricate but impermanent artworks for catered affairs, hotels, cruise ships and for advertising promotions. In this short documentary profile, Keith is filmed as he fashions a prototype (a sword-bearing warrior fighting a dragon) for an upcoming ice carving competition. At the contest site, the young man joins scores of other chainsaw-wielding sculptors busily freeing their creations from blocks of ice. Although Keith does not win a prize, his devotion to ice-carving remains intact. Moving from his home in New Jersey to a new life in Florida, Keith is featured as the "Person of the Week" on a Florida news broadcast

In August 2007, after some medical studies, I was diagnosed with bone cancer. This movie is based on my memories of those days.

One man's hat is another man's treasure when it comes to the importance and significance of saving items of historic value.

A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.

This feature-length documentary brings together six of the rare television interviews given by Gilles Groulx between 1966 and 1983. Through these interviews, the filmmaker's ethical and aesthetic concerns are revealed. A striking coherence emerges in his thinking regarding his conception of cinema and the role the filmmaker should play in his culture and society.

Fragments from a portrait of Jean-Louis Costes - sincere artist, versatile designer, poet of excess -, a man forever atoning his anguish through singing, performance, drawing and writing...

“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)