L'ancien et le nouveau (effacé)

An introverted girl struggles to form connections through a strange social media site.

"The film's title takes into account meanings and implication of the word 'chamber', as well as of the heart, intimate music, darkness, room, camera, prison, gun part...both empty and loaded. CHAMBER provided my conversion from painter to filmmaker." -JB

Filmed live at the Wilbur Theater in Boston, the self-proclaimed sweatiest woman in show business brings you her first ever standup special. Told in three acts and influenced heavily by her loves of surrealism and Russia, with multiple scripted sketches and filmed segments, her unique brand of humor will have you laughing while wondering, “is she ok?”.

News broadcast interlaced with footage of people doing bizarre, senseless acts.

Extended nature and landscape shots. Shot on 16mm film.

A quick view of three remarkable organic gardens: Le Tomple, Le jardin du Mas d’Abri in the department of Gard and Le jardin des Sambucs in the department of Hérault. The film goes over their general layout along pathways amongst the vegetation, ponds and people or animals that happen to be there at the time.

A man, alone and contemplative, sits in his room until a woman enters.

A man on his way to an interview stumbles upon a surreal VOID, ANCIENT TEXTS, and ENIGMATIC FORCES.

The desire to grow closer to yourself will lead you to disappear. The simple desire to get a closer look at yourself makes you see yourself disappear. The possibilities of recording are limited.

A philosophical contemplation of the author about finding and losing yourself and the other in yourself. The film traces the opposition of photography and cinema.

In this film, Edward Sheglanov wanted to present a person as an element of language, and see how a sign lives. The film came together spontaneously, influenced by charming stories about the jazz improvisation of Cassavetes’ films. The author associates this image with the beginning of the garrulous and fruitless 1990s.

Hacking a claw machine inside C4D.

The Fall

This movie marks the understanding of cinema as an extra-human effort and finds cinema beyond the human, somewhere on the territory of its non-existence.

How do we influence the world around us? A fluid analysis tool ordinarily used in the laboratory offers new interpretations of human interaction and provides surprising insights about our place in the world.

Ozymandias recites Percy Bysshe Shelley's poem of the same name. Selected AI-generated images and text-to-speech narration - with their vutlure-like generative methods, and already rapidly-dating aesthetics - are placed in parallel to the poem's explorations of legacy, decay, futility, and the future.

Sarah and her two cats go about their separate lives. The cats have strange dreams about their desires, and Sarah develops an unshakable paranoia that something is wrong with them. Sarah's paranoia bleeds into her social life, and her two cats have their dreams come true.

A found-footage short inspired by interrupting trains of thought and the duality of colour.

Made as part of the Winnipeg Film Group's "Super 8 Special" film incubator. This picture was captured on super 8 film, drip dyed with a mixture of india ink and water collected from Lake Winnipeg, then digitized and captured on VHS.

The film highlights the beauty of craft, whilst re-contextualising traditional folk narratives to show the strength and power of the often forgotten members of folk communities.