Sour Money

On April 1, 2002. four corpses are discovered in the apartment of struggling filmmaker Sam Epstein. Flashback - one year earlier: fledgling director Epstein embarks on his first feature film with high hopes, but selfish backstabbing roommates, a drug-addicted crew and Murphy's Law rapidly drain his funds as production grinds to a halt. Determined to regain control, Sam turns to "Magic For Morons" and asks Satan for help. He is promised success, but the spell demands a human sacrifice. Will his burning desire to finish his independent film drive him to the ultimate act - cold-blooded murder?

A short documentary concerning a group of friends who get together, eat shawarma and drink beer. They talk utter nonsense at times, yet they couldn't be happier.

Film director Jeff and his lead actor are taking their time getting to set. In their absence, the crew lack a purposeful way to spend their time waiting, so they drink heavily. However, as booze is downed and frustration sets in, morale hits rock bottom.

A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".

Former bootlegger Remy Marco has a slight problem with foreclosing bankers, a prospective son-in-law, and four hard-to-explain corpses.

Cemetery caretaker Burke Sawyer and his deceased father, Pop Sawyer, team up to investigate a creature feeding on the dead underground.

Two friends work together to follow their passion of filmmaking, but as their journey progresses, their friendship falls apart into a sloppy mess.

Two guys accuse each other of drinking too much beer and eating too many snacks.

In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000.

Two friends questions the odd idiosyncrasies of the host.

Lonely college student Alex encounters his favorite filmmaker, JP Smith, stalking around his sleepy town in upstate NY. Together they form a precarious relationship, with Alex becoming the star of JP’s latest flick.

Two young filmmakers spend time together, talking and searching for an idea to make a film. As their conversation unfolds, imagined stories quietly appear and disappear, blurring the line between thought and reality.

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

Fifty-year-old Barry is a special kind of cleaner: he cleans crime scenes where demons have wreaked havoc. While making a corporate film about his work, a normal working day for Barry gets out of hand in a bloody way.

A discussion between John Cleese, Michael Palin, Eric Idle, Terry Gilliam and Terry Jones about their film The Meaning of Life.

"Blood Effects" a mockumentary by film maker Kris Black, is a cross between "Paranormal Activity" and Christopher Guest's "Best in Show". Presented as a "movie-within-a-movie", veteran Bruce Reisman produced Black's scathing satire of Hollywood horror movies, where reality ties itself up with fantasy, and the results are both humorous and horrifying.

After writing for Cahiers du cinéma, young Godard decides making films is the best film criticism. He gets Beauregard to fund a low-budget feature, creating a treatment with Truffaut about a gangster couple.

Sue Graham is a small town girl who wants to be a motion picture star. She wins a contract when a picture of a very pretty girl is sent to a studio instead of her picture. When she arrives in Hollywood, the mistake is discovered and she starts working in the props department of the studio instead. Her parents then come out to California and invest some money with a very shifty individual.

Six years have elapsed since Guantanamo Bay, leaving Harold and Kumar estranged from one another with very different families, friends and lives. But when Kumar arrives on Harold's doorstep during the holiday season with a mysterious package in hand, he inadvertently burns down Harold's father-in-law's beloved Christmas tree. To fix the problem, Harold and Kumar embark on a mission through New York City to find the perfect Christmas tree, once again stumbling into trouble at every single turn.

Max Boden, an ingenuitive desert naturalist, is trying to stop the construction of a copper mine on the outskirts of 1939 Tucson, Arizona. Through a series of arduously comical trials, Max learns to use a small motion picture camera to capture images of the unique local flora and fauna that would be destroyed by the mine.