Out of Focus

Jay Parini finds himself stuck in a Morris Minor, chauffeuring the brilliant, blind Jorge Luis Borges through Scotland. Quiet and conservative, 23-year-old student Parini dreams of becoming a writer but is at a loss to make sense of the wild, irrepressible 70-year-old Borges. As the journey takes a surreal turn, their differences magnify until, in the tradition of a classic road trip, the two ultimately find common ground.

It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

An American student in Seoul, South Korea uses his skills as a spy to stop foreign agents and local gang members from gaining access to a supercomputer that can connect to anyone and anything.

Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.

An aspiring filmmaker poses as a relative of Francis Ford Coppola to get her independent movie made.

In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story about 5 mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality starts to blur as the tale advances.

Teenager Deacon works at a video shop, and his buddies, Fred and Matt, sell the bootleg porno films he acquires. Deacon gets fired, but the pals have the bright idea of filming their own Internet porn flick in order to make money and become more popular at school. Hijinks ensue as they cast and create their movie, but porn industry player Vic Ramalot grows jealous of their burgeoning success and tries to put a stop to the project.

Two public broadcast employees, tired of their dead-end jobs, set out to make a documentary proving aliens exist in a small Minnesotan farming community.

Tony has recently been released from a sentence for violent behaviour. He promises to improve his ways and is finally granted a few hours alone with his two children. They celebrate the reunion by going to the movies to see a new film by the famous, critically acclaimed Danish director Claus Volter. But the film is not the masterpiece it is said to be on the poster; the children are crying and Tony cannot get the money back he spent on tickets and candy. Tony does not give up; he seeks out Claus Volter in order to get an explanation and a refund. It is however easier said than done to get money out of a world-renowned filmmaker.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

The melodramatic story of a pink crew’s tragi-comedic adventures on location. A fictionalized adaptation of set photographer Ichiro Tsuda's 1980 book The Location (Za Rokēshon), an illustrated 229-page document about the cameraman’s experiences with pink cast and crew on the sets of several films produced in the late 1970's.

An eighth grade student kills himself but not before writing the names of the students who victimized him. Their parents are called into the school and a battle goes on regarding the will.

When a Hollywood star mysteriously disappears in the middle of filming, the studio sends their fixer to get him back.

After being dumped by her boyfriend just before their 100-day anniversary, Ha-young meets a college guy named Hyung-joon when she kicks a can that accidentally hits him in the face and causes him to scratch his Lexus. He demands she pay him $3000 on the spot.

A budding director endeavors to research a merciless gangster for making a film on gangsterism. But his secret attempts to conduct the research fail when he gets caught for snooping.

Cain, a 19-year-old misunderstood by his father and resentful of their fractured relationship, chooses to ignore him once again. His night is filled with unfortunate events as a strange figure haunts him.

Dives deep into the tragicomic world of the"towns-people" stand-ins working at Warp Station Edo, a popular shooting location for samurai dramas, through a piercing study of a 63-year-old extra. Utilizing mockumentary stylings, this ambitious film forms a compelling commentary on the aspirations that shape film production and the feelings that a simple, ho-hum life can evoke.

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

Zé Rocha is a director trying to shoot his first film. He dreams of making a professional movie, and starts shooting in 35mm. But as his budget begins to fade, he changes to Black-and-White, then gradually down to 16mm, Super-8 and, in the end, to his despair, to the video format. With the help of Edna Marla, producer who is searching for the Holy Grail of a genuinely 100% Brazilian celluloid; Dona Martírio, his mother, former left-wing activist; Guará Rodrigues, an underground Brazilian movie star; and Lila Lessa, who stars in a 6 p.m. soap opera, they develop strategies and outlandish plans to win the insane battle of filmmaking in Brazil.

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.