Electric Graffiti

With unprecedented access to the nuclear industry in France, Russia, and the United States, Nuclear Now explores the possibility for the global community to overcome the challenges of climate change and energy poverty to reach a brighter future through the power of nuclear energy. Beneath our feet, Uranium atoms in the Earth’s crust hold incredibly concentrated energy. Science unlocked this energy in the mid-20th century, first for bombs and then to power submarines. The United States led the effort to generate electricity from this new source. Yet in the mid-20th century as societies began the transition to nuclear power and away from fossil fuels, a long-term PR campaign to scare the public began, funded in part by coal and oil interests.

Women's civil defense activities, especially in case of gas attacks.

Describes how to resist the deception and pressure used to recruit members into cults and keep them there. It also provides advice on how to resist these tactics. The video is designed for young people, parents, educators, counselors, clergy, law enforcement officials, and others.

Young sweethearts Billy and Kate move to the Big Apple, land jobs in a high-tech office park and soon reunite with the friendly and lovable Gizmo. But a series of accidents creates a whole new generation of Gremlins. The situation worsens when the devilish green creatures invade a top-secret laboratory and develop genetically altered powers, making them even harder to destroy!

This anti-smoking public information film has the kind of stylistic sheen often associated with 1980s British advertising, with its sci-fi setting, filtered smoke and gloomy aesthetics clearly inspired by the works of Ridley Scott (although it’s directed by his contemporary, Barry Myers). It imagines a genetically advanced future humanoid who’s evolved to be a ‘natural born smoker’ – complete with enlarged nostrils and tapping finger - before reminding us that no such creature yet exists. While we expect smoking adverts to be disturbing, the titular character is disquieting in a refreshingly unusual sense.

The sequel to Smoker of the Future, in which he has a child who will take after his father.

No man is an island, but Charley represents his nation in this economical cartoon tale of Britain’s economics.

Discusses causes, symptoms, and treatment of alcoholism. Points out that alcoholism is a disease which involves both physical and mental dependency, requiring both physical and mental treatment.

Mother-of-two Judy Malinowski, then 31, was doused in gasoline and set on fire by her crazed boyfriend – and one of the first ever to testify from beyond the grave, at the trial for her own murder. A story that lives at the intersection of true crime and #MeToo, THE FIRE THAT TOOK HER goes deep inside a landmark case to ask a timely question: How much must women suffer in order to be believed?

The film features a meeting led by Dave Taylor, the shelter manager, discussing the protocols and responsibilities for staff members involved in managing a public shelter. Key participants, including operations deputy Harvey Johnson and health leader Mrs. Carter, outline their roles in ensuring a smooth entry for occupants during an emergency. The meeting emphasizes the importance of organization, communication, and the distribution of supplies. Staff members are encouraged to familiarize themselves with each other's duties and prepare for potential scenarios, including managing newcomers and ensuring safety and sanitation within the shelter.

Created in 1963 at the height of the Cold War, this Civil Defense training film uses a dramatic premise to show how emergency staff should manage and organize a large public fallout shelter during a crisis. A Shelter Manager is shown immediately taking control of the situation in the shelter, speaking calmly to those who have made it into the facility, closing the door promptly once the shelter is full, and sticking to the "shelter plan" as the situation unfolds. Some of the areas discussed in this nuclear war drama are the safety plan, regular inspections, supervised public entry into shelters, ventilation, first aid, sanitation, fire prevention, decontamination of personnel, and more. "Shelter living is different," the Manager states, "But we have a trained staff that will make your stay in this shelter livable for us all."

A heavily dramatized Civil Defense film that demonstrates how a public fallout shelter is supposed to function after a nuclear attack. This scenario takes place in a fictional any town called "Middlebury". The film describes the situation in a public shelter in Middlebury following an attack on the United States.

This Cold War film "Information Within Public Shelters" (1953) takes place in a fallout shelter, showing how a well-trained staff that provides information to shelter occupants, can keep them busy and calm during nuclear armageddon. This film was produced as the U.S. Government began to shift from promoting privately-owned "family" fallout shelters to the concept of large, public shelters.

Featuring the voiceover of Sir Anthony Hopkins, this public information film from the Whale and Dolphin Conservation Society starts out rather innocently with beautiful hand-painted animation. It describes how once a year a large group of pilot whales swim to a small group of islands known as the Faroe Islands.

A provoking film on the place of women.

Short public information film showing housewives' efficient and hygienic methods of food storage.

This informative herring aid from WWII makes no bones about the need to make the most of every fish.

Balthazar Blake is a master sorcerer in modern-day Manhattan trying to defend the city from his arch-nemesis, Maxim Horvath. Balthazar can't do it alone, so he recruits Dave Stutler, a seemingly average guy who demonstrates hidden potential, as his reluctant protégé. The sorcerer gives his unwilling accomplice a crash course in the art and science of magic, and together, these unlikely partners work to stop the forces of darkness.

John Hurt narrates this highly charged and doom-laden public information film from the 1987 AIDS awareness campaign. A cliff-face explodes in slow motion; an industrial drill bores into a huge block of rock; the word 'AIDS' is chiselled into the polished surface of a granite headstone and a "Don't Die of Ignorance" leaflet drops onto the surface along with an elegiac bouquet of white lilies. The solemnity of the accompanying voice-over quells any vestiges of ambiguity.

With its simple and iconic imagery this was public information film at its most sensational: expensive special effects and high-concept production design brought public information filmmaking into the realm of state-of-the-art corporate advertising. The film was the result of a £5 million cinema and television campaign aimed at combating the growing spread of HIV and AIDS. With restrictions around the overt promotion of condom use on television and a growing chorus of moral campaigners promulgating their own agenda, the straightforward and doom-laded approach was probably the only viable option for campaign mastermind Sammy Harari. But the result was a hard-hitting and memorable campaign which undoubtedly fulfilled its brief of pervading public consciousness. There are two versions; the one shown in cinemas did not feature John Hurt's famous voiceover.