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In El Salvador, Chelino tells about the indigenous massacre of 1932, of which he survived, while he teaches the melodies of traditional Salvadoran dances.

Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?

Steeped in the long oral tradition of Waorani storytelling, Gange Yeti shares her own coming-of-age story as a young Waorani woman living deep within the Amazon rainforest. Following Gange and her community for over 11 years, the film captures her transition from a quiet teenager into a confident young mother at a critical turning point for her culture and rainforest. As the granddaughter of one of the last Waorani elders that lived in complete isolation before outside contact, Gange is determined to capture her grandmother’s unique experience while she still can -- balancing school, motherhood, and tradition along the way.

Following the long, winding road to Manawan, Atikamekw travelers speak about the challenges they face in improving their lives. A parallel is drawn between a winding road strewn with obstacles, the heavy atmosphere that reigns in the community of Manawan, and the idea of ​​returning home.

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

This short documentary revisits Mi’kmaq territory, where an iconic moment was captured in 2013—igniting into a symbol of Indigenous resistance and halting fracking exploration on unceded lands.

Actor Rawiri Paratene was 16 years old when he joined Māori activist group Ngā Tamatoa (Young Warriors) in the early 1970s. "Those years helped shape the rest of my life," says Paratene in this 2012 Māori TV documentary, directed by Kim Webby. The programme is richly woven with news archive from the 1970s, showing protests about land rights and the Treaty of Waitangi, and a campaign for te reo to be taught in schools. Several ex Ngā Tamatoa members — including Hone Harawira, Tame Iti and Larry Parr— are interviewed by Paratene, who also presents the documentary.

Noemí, an Ayuukjä'äy woman reflects on the loss of her native tongue with a voice that blends into day to day life in Cerro Costoche community located in the Mixe mountain rage of Oaxaca.

Still photographs and narration give an overview of the history of the American Indian.

A documentary film exploring an untold part of Canada’s past through the eyes of Inuk artist and filmmaker Elisapie Isaac. After facing a moral dilemma, Elisapie sets out to meet others who, like her, are “Hudson Baybies,” the children born of the mixed unions between Indigenous women and Hudson’s Bay Company employees working in trading posts and general stores across the North.

Stan Hill Jr. is a Haudenosaunee artist living in Miawpukek First Nation Reserve, Conne River, Newfoundland. In “The Bear Inside a Whale,” he and his family discuss racism, identity, religion, creation and art, along with the cultural extinction of the Beothuk of Newfoundland. Throughout the film, we follow Stan carving a bear out of a whale vertebra. And we visit The Rooms (museum) in St. John’s, Newfoundland, where Stan talks about viewing and reclaiming Indigenous artefacts.

Poet Layli Long Soldier crafts a searing portrait of her Oyate’s connection to the Black Hills, through first contact and broken treaties to the promise of the Land Back movement, in this lyrical testament to resilience of a nation.

A documentary on the road that tracks the journey by Georgina, an elderly transgender woman forced to cross the sandy peninsula Guajira, on foot, to obtain the thing she has desired for almost half a century: a document that will hand her the right to be what she has always felt she was, and will allow her, at long last, to vote.

Yellowtail is the story of a young Native American cowboy searching for meaning as his chaotic lifestyle begins to wear on him both physically and mentally. To find his purpose the young man has to reflect on his upbringing as a native to become the spiritually connect man he was meant to be.

More than an attachment to our territory, the Innu live a filial relationship with Nitassinan, our ancestral homeland. For so many generations, the land has nourished, cared for and raised us. It has inspired our language, our culture, our lifeway and our vision of the world. Throughout the seasons, our ancestors criss-crossed the territory on foot, by canoe or on snowshoes. They knew every river, lake, or stream; every mountain, hill or bog; every camp, trail and portage path. Nomadism forged our people, and the film will record this journey and our history – past, present and future. And while it will attest to our vitality and resilience it is also – and above all – a tribute and a message of respect for the Earth.

Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.

Xetá

In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.

A stop-motion documentary that describes the artificial mummification (black and red mummies) of the Chinchorro culture, a pre-hispanic society of fishermen and hunter-gatherers who practiced funeral rites with sophisticated techniques for body preservation 7,000 years ago, originating on the Camarones coast of Chile.

This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.