No Words: The Art Of Photography

Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.

At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?

This look behind the scenes shows how worldwide camera crews climbed, dived and froze to capture the documentary's groundbreaking night footage.

Lonely college student Alex encounters his favorite filmmaker, JP Smith, stalking around his sleepy town in upstate NY. Together they form a precarious relationship, with Alex becoming the star of JP’s latest flick.

A former priest has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex more enjoyable, and this leads to his strange fascination with photographing asses. He gets involved with a sexy married woman, but he is more interested in her virginal maid.

Oddball hot dog vendor Albert is shocked to find himself becoming the bizarre muse of enigmatic NYC photographer Ivan Worthington. But shocks come his way even more so when he finds out how difficult is is to succeed in the art world, leading him to take his own photographs that suit his very unique - and very limited - skill set.

A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.

A Baltimore teenager who picks up a second-hand camera starts snapping his way to stardom, soon turning into a nationwide sensation, with a fateful choice between his life and his art.

An unconventional romantic comedy about a young American photographer and a French girl with a taste for the macabre. Paul and Paulette’s chance encounter on a Parisian boulevard sparks an unusual friendship that grows around a dark game; reenacting scenes of notorious crimes from bygone eras at the sites they occurred. As their morbid road trip approaches the more recent past it becomes more uncomfortable, blurring the lines between reality and fantasy, but finding a surprising joy in the darker corners of humanity.

Legendary photographer and director Anton Corbijn is responsible for many of the most indelible and important images of the past two and a half decades. His recently released book U2 & I is a photographic retrospective of his 25 year collaboration with U2. Later this year, Anton will direct his first feature film, Control, based on the life of the late Joy Division lead singer Ian Curtis.

Il mio nome è Battaglia

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

A young advertising executive's life becomes increasingly complicated when, in order to impress her boss, she pretends to be engaged to a man she has just met.

A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.

The Dance is a 1962 French comedy film directed by Norbert Carbonnaux and starring Jean-Pierre Cassel, Françoise Dorléac and Arletty. The film is based on the French comic strip 13 rue de l'Espoir.

A dazzling journey through time via the remarkable images of National Geographic photographer Frans Lanting and his epic "LIFE" project, which presents a stunning interpretation of life on Earth, from the Big Bang through the present.

In this poetic portrayal of Luigi Ghirri (1943–1992), a master of contemporary photography, the director gives voice and, in particular the image, to the protagonist. The photographer takes the audience on a tour of the outskirts of daily life as seen from the corner of his eye, the area in between what is artificial and authentic or grand and small – the meso-scale.

March 2020. Fabrizio, a photographer and filmmaker who lives in Luxembourg, returns to his family in central Italy after his father has suffered a heart attack. It’s the beginning of the pandemic, the country is in lockdown. An intimate diary and an ode to filial love in the face of the most trying circumstances a son can face. A tale of the soul and personal hardship in the context of a broader collective tragedy.

Soon after his insufferably arrogant father wins the Nobel Prize for chemistry, Barkley Michaelson is kidnapped by Thaddeus James, a young genius who claims to be Barkley's illegitimate half-brother. Motivated not so much by money as revenge, Thaddeus tries to convince Barkley to help him carry out a multimillion-dollar extortion plot against their patriarch.