Serietecknaren som gick på begravning

On Saturday, April 26, spring came to Sweden. That same day, Chernobyl nuclear power plant exploded. Bringing mild winds to Scandinavia. Sweden suffered heavily of radioactive poison.

Wildlife cameraman Gordon Buchanan travels to the frozen north, deep inside the Arctic Circle, to meet the ancient Sami people and the animals they hold so close - reindeer.

Also known as Reindeer Time and Inheritance, this 9-minute short by Arne Sucksdorff documents the Sámi people’s autumn migration as they guide their reindeer herds back to the forest lands. Blending ethnographic observation with lyrical nature imagery, the film follows the reindeer through mountain landscapes, calving, herding, and branding, underscoring the deep interdependence of humans, animals, and the northern environment.

Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.

The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.

The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.

Sami reindeer herders win a Supreme Court victory against Europe’s largest wind farm - but when the state refuses to act, their fight reveals a deeper crisis of justice and trust.

Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.

Examines the extraordinary lifelong friendship between Skolt Sámi storyteller Kaisa Gauriloff and the Swiss-Russian author Robert Crottet through the eyes of Gauriloff’s great-granddaughter Katja.

Two parallel stories are gradually unfolding the everyday life of two very different persons - that of 86-year-old Sara and 7-year-old Mihka - both residing in Guovdageaidnu - Kautokeino, in the middle of the Norwegian arctic tundra, through the drastic change of the arctic seasons and the passage from the long winter’s darkness to the never-ending light of the summer season.

In the film about "the land of eternal light and eternal darkness" we meet some women who talk about their lives. The women have all grown up in reindeer herding families and as children they lived in kotas, moved with reindeer and lived a life in nature. Their own children, on the other hand, have grown up in "normal" Swedish society. None of them have lived like their parents. The film addresses Sami culture, language, school. How modern technology has affected the lives of the Sami.

Documentary about Lars Theodor Jonsson who was a cross country skier in the 1920s and 30s and now lives alone in the forest.

The traditional salmon weir of the River Sámi of Deatnu represents the symbiotic architecture of humans and ecosystems that also bears deeply on the international politics, global interests and changes of dynamics. As an architect, the director is also interested in the archetypal form of the weirs that also has things in common with other places and indigenous nations worldwide.

The documentary Rap and Reindeer follows the life of 18-year-old Sámi rapper Mihkku Laiti, who lives in the northernmost corner of Sámiland. The film is a coming-of-age story, following Mihku on his journey towards a career as a musician and rise to stardom in the midst of varying expectations. He’s charmed the crowd on Talent Suomi and proudly wears the Sámi clothing he has styled himself. He raps and yoiks in harmony, designs his own brand on his computer but also masters the skill of laborious reindeer herding. Above all, he sees his own unique roots and the Sámi language as his greatest strength. The future makes him wonder: to follow his father’s footsteps or to reach for his dreams.

Personal accounts from the Alta actions in the years 1979 to 1981. Large police forces were deployed against the demonstrators. The dispute over the Alta river began as an environmental issue, but became a major turning point for the Sámi people's struggle for equal rights in Norway.

Love, music, Sami identity and environmental activism go hand in hand in this inspiring tale of young singer Ella and her fight against the mining company that threatens her Sami heritage.

Follows Astrid & Sune as they show techniques and methods of sami handcraft.

The fate of a culture lies on the shoulders of few determined individuals.

Ritni Pieski wishes it was easier for Sámi queer youth to grow up in their community. In this short film, Pieski addresses the lack of representation and information about queer people and rights within the Sámi people.

A BBC Four Slow Christmas treat follows Norway’s Sami reindeer herds as they migrate across the mountainous region of Finnmark, far north of the Arctic Circle. The journey, a little over 160 miles, takes the herd a week, travelling north from the inland winter feeding grounds to their coastal summer pastures. The film travels with the Sara family and their herd around the clock as they cross the Arctic wilderness to reach the coastal island of Kvaloya Fala in time for the calves to be born. It is a journey fraught with hazardous weather conditions.