En attendant le père Noël

Entertaining portrait of Erlend Štaub - a self-made professional photographer working at the president's annual reception, theatrical premieres, and film festivals like Black Nights and Cannes, and talking about life and everything in it.

Bombarded by thousands of images every day, are we still able to truly see them, especially those of conflict and its aftermath? Helen Doyle takes us on a quest for the meaning of images and discovers a vast palette of contrasting images which shock and compel.

A film about photography as an artistic medium.

They gather here every day. They come from far and without purpose. They don't know each other and they won't come to know each other. They carry their gadgets to optimize the experience. They engage with the world through a small frame. They believe that this moment will remain unforgotten.

Un germà explores the emotional and physical distance between two brothers, through archival footage and present-day material, the film blends past and present to show the difficulties they face in reconnecting.

A poetic film about a young woman's life and dreams. A woman who had the courage to change her life and realize her dreams. A movie about Jonna Jinton. Blogger, photographer and artist and nature lover.

Top Gear: Festival Sydney was a special episode of the BBC motoring show Top Gear, featuring the regular presenters Jeremy Clarkson and James May alongside Top Gear Australia presenters Steve Pizzati and Shane Jacobson.

Julia is my mother. She's worked as a hairdresser all her life, but she's retired now. She spends her weekdays cooking and styling her friends' hair; but her greatest dream is taking care of her grandson, my son. He comes to visit us once a week and stays overnight. The morning after one of those nights, my mother tells me she thinks she's had a stroke. I don't know what to say; I hug her. Two weeks later, we shot this film.

A couple of dancers appear one morning in a High School. It's Monday and they announce to a group of youngsters that they have five days to get up on stage and dance. A short time but a big challenge. The dance compels these youngsters to break through their roles exactly at the time of their lives when the social roles are being forged. The handsome boy is no longer the most admired, the timid one takes a step forward. Wilfried van Popple and Amaya Lubeigt are the choreographers. Professional dancers who have decided now to work with people who have never danced before. This is the challenge: five days, a class of teenagers, a microcosm in which occurs a little big bang.

How much can you trust your childhood memories? Director Sam Firth investigates, sweeping her parents into the experiment and on a journey into the past.

Adapted from a performance by the same name, fuses autobiographical material with information about how an alcoholic family perpetuates addictive behavior. Elements of Alcoholics Anonymous meetings, such as the “Hi, my name is...” introduction are used along with photo-montage and a disjointed narrative. In addition to being shown at venues such as the Museum of Modern Art and the New Museum, Trick Or Drink has been used regularly by hospitals and alcohol treatment centers throughout the United States.

Feature-length documentary directed by Mireille Danserau in 1973: in-depth interviews with four young women who explain their complex relationships with men, motherhood and their own femininity, sometimes radically detaching themselves from the standardized and traditional conception of the couple.

Considered the most intimate portrait of life & work of American photographer Nan Goldin. Collaborating with British documentary director Edmund Coulthard, the film also paints a sharp portrait of a generation, reconstructing disquiet from the extraordinary biographical account of the photographer.

As Iracemas

Mike Disfarmer, small town portrait photographer turned posthumous art star. This is the story of an eccentric curmudgeon and artistic icon whose powerful pictures of depression-era USA have left an unlikely mark on the modern Manhattan art world.

There could hardly be a more telling contrast between the analog and digital eras than the beautifully blurry memories captured in a Polaroid picture and the thousands of pin-sharp photos on an iPhone. In this ambitious visual essay, Willem Baptist explores the visionary genius of Edwin H. Land, the inventor of the Polaroid camera. Even today, all sorts of people are keeping his instant dream alive. Former Polaroid employee Stephen Herchen moved from the United States to Europe to work in a laboratory developing the 2.0 version of Polaroid. Christopher Bonanos, the author of Instant: The Story of Polaroid, tells us, "When I heard Polaroid would stop making film, it felt like a close friend had died." Artist Stefanie Schneider, who is working with the last of her stock of Polaroid film, is using the blurring that occurs with expired film as an additional aesthetic layer in her photographic work.

There are children in front of the beach. Hye-sun sends a letter to Gwang-hwa, conveying her love and mentioning the foods she ate and her health condition. Gwang-hwa replies to the letter. The two people read letters sent at different times together. And they are heading to the same place.

Kyra Gardner's loving tribute to growing up in the world of the psycho killer doll, Chucky.

The work of photographer Diane Arbus as explained by her daughter, friends, critics, and in her own words as recorded in her journals. Illustrated with many of her photographs. Mary Clare Costello, narrator Themes: Arbus' quirky go-it-alone approach. Her attraction to the bizarre, people on the fringes of society: sexual deviants, odd types, the extremes, styles in questionable taste, poses and situations that inspire irony or wonder. Where most people would look away she photographed.

This look behind the scenes shows how worldwide camera crews climbed, dived and froze to capture the documentary's groundbreaking night footage.