Ether

Quatro em Linha

Photographer Dong is planning a photo exhibition, but he has no photographs that he is proud of. His grandmother call him falsely claiming that she was ill and needed Dong to come home. It turned out that his mother had been released from prison that day. Dong spent his childhood in the mockery of his classmates and was full of resentment against his mother. After going through a struggle in dealing with his relationship with his mother, Dong experienced the missing maternal love for the first time and recorded the whole process with his camera.

A photographer named Arun befriends Rajashekhara, a wealthy but lonely man who has resorted to drinking to quell his pain. Soon, Arun agrees to help him reunite with his estranged family.

No tan Clara

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.

Les poupées persanes

Living in a trailer by the ocean, Carmen does everything to give her half-sister May a better childhood than the one she had.

Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom. She's accompanied by ice delivery man Kristoff, his reindeer Sven, and snowman Olaf. On an adventure where she will find out what friendship, courage, family, and true love really means.

WE BELIEVE remembers the story of Bill Hanlin, who in 1963, coached the St. Marys Football Team to an undefeated and unscored season. The film also tells a modern day story of Coach Jodi Mote, who has coached the St. Mary’s Blue Devil’s high school football team for over two decades. The film shares their life stories and boasts three important things: faith, family, and football.

Her own family history from a female perspective, told as a fragmentary, personal stream of memories. Great-grandma, grandma and mother have to come to terms with the conditions of their time, the difficult prospects for a self-determined life in the working class. Some dreams are shattered, but love for each other catches them all. Collecting shells, summer in the garden, cuddling together. The big is in the small.

Inés discovers that she has a half-sister, but, faced with the situation, decides to accept silence as a family truce.

Óga

Four sisters work together to raise rent money after learning they have to move to another neighborhood in this coming-of-age drama based on the series.

“Sisters” is a deeply personal story about my journey back to my home country of Venezuela to investigate the possibility of a long lost sister.

CESTA BÁSICA

Shivan (Suresh Gopi) arrives in a remote village as an agricultural officer. Pappachi (Jagathy) arranges the upstairs of a house for him to stay in. A family of three girls (Khusboo, Vani Viswanath, Kaveri) lives downstairs along with their father (M.R. Gopakumar). The three of them develop romantic feelings towards Shivan.

Free Eden employee Apple secretly runs a witchy femme cult in the basement of the mall store after hours – with fellow fruits Cherry and Fig. But, when new hire Pumpkin challenges their performative sisterhood, the women are forced to face their own poisons or succumb to a bloody fate.

Two sisters in their early thirties find themselves isolated in the Aegean summer cottage of their childhood, as they must deal with their uneasy sibling relationship and confront their devastating recent past past.

“Dirty Care” is an essay film shot from first-person perspective. From martial arts training to everyday life, we follow the protagonist's point of view and a voiceover through various landscapes and tasks. In a public toilet, above the rooftops of Vienna at sunrise, in a trailer park and in a snowy landscape, we are instructed and trained to defend ourselves against a physical attack. “Dirty Care” describes the efforts that non-normative women have to make in order not to be exposed to patriarchal violence or to be capable of standing up to it. The film portrays scenes of empowerment, intimacy, resilience and companionship.

In a drought-struck region in India, suffering from climate change and a high suicide rate amongst farmers, a group of resilient women farmers, who recently lost their husbands, is coming together with a local psychologist to learn counselling and help others in grief.