This is the story of the bodybuilder, Martial Artist and actor who wrote his own destiny and walked his own path. A legendary tale that's never been told on-screen before.
Jordan recounts a tense day where a false accusation by his teacher, Miss Rudell, pushes him to his breaking point, exposing the unfair dynamics between him, the teacher’s pet, and an undisciplined peer.
An international tech entrepreneur with a fondness for architecture asks Rem Koolhaas to build a house on an impossibly small piece of mountainside in Zell am See in Austria. The architect of the celebrated book S,M,L,XL seizes the challenge: how to draw light into a house less than four metres wide that is mostly underground? Photographer and filmmaker Frans Parthesius followed the building process and offers insight into Koolhaas’s way of working and the special relationship with his client.
If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.
CNN camerawoman Margaret Moth fearlessly captures footage of war zones. After receiving catastrophic injuries in the crosshairs of battle, she returns to work with more courage than ever. An intimate portrait of a trailblazing female photojournalist. Features interviews with Moth’s family and friends, including CNN’s Christiane Amanpour. A Sundance film festival premiere directed by Lucy Lawless.
This short documentary tells the story of the life and legacy of Dr. Susan La Flesche Picotte, an Omaha woman who became the first Native American physician.
A look at the unrecognized work of the talented artists and craftsmen who've maintained the tradition of Japanese special-effects. Highlighted is Yasuyuki Inoue along with various crew members who crafted meticulously detailed miniatures and risked life and limb as suit actors. All done to bring to life some of film's most iconic monsters through a distinct Japanese artform.
A multimedia original film production commissioned by the USS Midway Museum in San Diego, focusing on the young men who sailed and flew into the teeth of the Japanese Navy.
Following stylish IT GIRLS filmed during New York Fashion Week.
Photographer and make-up artist François Nars reveals his visually stunning inner world in this feature-length documentary by filmmaker Lisa Immordino Vreeland. Mr. Nars takes us on a tour of the fashions, designers and models of '70s Paris, the underground of '90s New York, and the timeless world of cinema, filled with actors, actresses, and directors who have shaped his visual aesthetics.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
When Moisex declares his hatred for Christmas, Kevin sets out to change his mind by creating a short film. This documentary captures their journey of creativity, humor, and the search for holiday spirit.
Al Jazeera investigates the shocking truth behind a deadly Israeli attack on a US naval vessel during the 1967 Arab-Israeli Six-Day War. The unprovoked action against the surveillance vessel USS Liberty, in which 34 were killed and 171 wounded, is recounted by those who were there and those who investigated it. Was it a case of mistaken identity?
An inside look into the fascinating life, career and survival of the most unknown famous entertainer in Hollywood.
Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.
Ed is commissioned to make a documentary intending to change those habits of society that are harmful to animals. But completely alien to the animal protection movement, he will realize that to carry out the project, he must first convince himself.
Based on the memory of a war, that of Vietnam, the images race away, the senses become confused, the memories explode. Why would some people be stronger and more intelligent than others on principle?
A comprehensive 6-part documentary on the making of "Top Gun" featuring all-new interviews with the cast and crew. Available on Disc 2 of the "Top Gun" 2-Disc Special Collector's Edition DVD.
La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.
In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.