Atado

The life of a couple is observed through the home they have left behind.

Experimental Documentary on Sound & Cannabis

“The Phantom Fortress” explores the relationship between the Elsau prison and its immediate surroundings. Through poetic and contrasting images, the film questions the presence of anxiety, noise, and stress, while also seeking to understand whether one can truly ignore the presence of a prison when living in its shadow.

A documentary showcasing a family as they pack up their home of twelve years and begin looking towards the future.

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

Seoul, 1996. Wastewater from developed film reels is dumped into the sewers. From this toxic discharge, a monster awakens, carrying the memories of countless movies imprinted on the film reels. Burdened by a vanished past, the monster wanders the city.

o céu diante dos meus olhos nunca é cinza

From 18-year-olds to pre-teens, ten boys are living together at the 'Family' group home. From 2002 to 2013, the boys, who were around ten years old, escaped North Korea and were separated from their families. They are living with the caretaker, Tae-hoon, who dedicates his life to the boys. The film documents an average and special one year of their lives. It doesn't overstress their situation as the defectors from NK, while cheers their new challenges as teens in South Korea. Also, it shows Tae-hoon being estranged from and reconciled with his own family, who is now supporting him and boys.

unravels the hidden struggles between mothers and daughters across generations.

The film is constructed from video material that the author shot in 1999 at the horseshoe factory in Karlovac (closed in 2005). It consists of 99 shots. A special software arranges the shots in a new random order each time it is run. Each generated configuration represents a unique author film - the Nth Cinematic Nail Factory, where N is the ordinal number of each film edited in this way.

The lecturer shows a microcinematographic sequence of spirochaetes and drawings of the gonoccus (the bacteria responsible for syphilis and gonorrhea). He then turns to an easel and begins to draw 'the road of health'; the cartoon takes this up in magic drawing, in a style that is highly reminiscent of the 'Giro the Germ' series made for the Health and Cleanliness Council a few years before.

In moving interviews, four fathers describe their suffering and efforts to keep contact with their children. A mother justifies the refusal of contact from her point of view. Despite the seriousness of the topic, the film manages to remain entertaining and even delivers an amusing snapshot of German sensitivities and the state of the Republic.

Tips for what to expect when taking a vacation aboard a cruise ship, and how to make the most of the trip.

This short documentary illustrates rural French Canadian life in the early 1940s. The film follows Alexis Tremblay and his family through the busy autumn days as they bring in the harvest and help with bread baking and soap making. Winter sees the children revelling in outdoor sports while the women are busy with their weaving, and, with the coming of spring young and old alike repair to the fields once more to plough the earth in preparation for another season of varied crops. One of the first NFB films to be produced, directed, written and shot by women.

Abadan lam nakon atfalan

Out of love for Huskies, nature and cold winters Dave and Kristen Olesen moved from Minnesota to the North West Territories in Canada 25 years ago to create their own little universe on the magnificent East arm of Great Slave Lake. With their two daughters Annika 15 and Liv 12 and their 37 dogs, the Olesens enjoy a unique lifestyle in the wide open wilderness far away from civilization. One winter they all leave their self-built homestead with ten dogs on a two and a half thousand mile family expedition allowing Annika to run the Junior Iditarod in Alaska. As unexpected obstacles all along the trip culminate in three heavily injured dogs the whole endeavor is at risk. Optimism, love and loyalty prevail on this exciting epic family voyage.

The Road is a deeply personal experimental film by Jana Hammoudeh, chronicling her journey as a nomadic soul, always on the move yet never truly belonging. Shot across three separate road trips, the film blends visual poetry with intimate monologues in multiple languages, reflecting the fragmented nature of the protagonist’s life. The film’s segments—Leaving Amman, Scrambled Eggs, and Postcards to a Friend—explore themes of love, loss, and freedom. The first segment, set in Amman, presents a conflicted relationship with home, inspired by Charles Bukowski’s Let It Enfold You. The second, in French, revisits past romances, while the third, narrated in Kazakh and Urdu, contemplates departure and longing. Through dreamlike cinematography and raw reflections, The Road captures the bittersweet beauty of transient nature of life and self-discovery.

A slice-of-life look at how kids in the former mining town of Silverton, Colorado stay busy in the summer by “mining” and selling rocks to tourists. Through this time-honored rite of passage, these “rock stars” learn history, social skills, and become little entrepreneurs while delighting tourists from around the world.

An experimental short where a character sends a series of progressively desperate emails asking for a job.

Passeurs de vies