Anima

A young anonymous office worker in the heart of an unnamed North American megacity takes us through a few fleeting days in her life.

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

Parks makes himself the subject, tracing his development as a person and an artist through a non-narrative abstract self-portrait that combines his photographs with his poetry, musical compositions and scenes from his films. It also features footage of Parks, plus interpretations of his personal reminiscences performed by actors Avery Brooks, Roscoe Lee Browne, and Joe Seneca.

Mike Hamilton, a Philadelphia lawyer, comes to Naples to settle the estate of his long estranged "black sheep" brother. Once there, he discovers that the deceased has left an 8 year old boy who is being raised by Michael's sister-in-law Lucia Curcio. To complicate matters, Lucia happens to be a sexy nightclub performer.

Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and later as part of an improvised and computer music performance with Keith Rowe at the London Filmmakers Cooperative, December 1989.

Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Karikis. The video section of the installation features seven-year-olds from Mayflower Primary School in East London discussing the novel's environmental themes.

Video art piece by Michigan artist Gio Orlando.

Documentary charting the fascinating life and work of Lee Miller, a model for Vogue in 1920s New York who became the only female photojournalist to cover the Second World War. Having given up photography in later life and virtually disowned her own work, Miller's extraordinary archive of 40,000 negatives was only rediscovered after her death. George Melly, David Hare, friends, colleagues and her only son, Tony Penrose, trace the story of her unconventional life through her own remarkable pictures and photographs, as well as rarely seen archive footage.

A struggling photographer gets more than he bargained for, discovering the truth of what his new camera is really capable of.

Budding photographer Chloe (Ory) comes from a family of failed romances. At a local flea market, she stumbles upon an old photo album from the 1970s, chronicling the ideal romance of a happy couple (Hindle and Barbeau). Unable to find her own "true love," she sets out to find the couple in the album and prove that true love exists. Along the way, she meets Gabe Sinclair (Macfarlane), a mysterious, but charming bartender, who seizes the opportunity to join Chloe's mission and soon finds himself falling in love with her. With limited resources, the two go on an adventure, searching for clues that will lead them to the couple, and hopefully to true love. As the search continues, Chloe begins taking an interest in Gabe, but won't let these feelings distract her from her mission to find the couple. Will Chloe learn to give up her fear of falling in love and finally find true happiness?

A photographer picks up a stranger and develops a connection with them as they drive through his hometown at night and discuss its changes.

REkOGNIZE is a three-channel video installation and a meditation on photography, memory, and movement. Artist and Academy Award-nominated cinematographer Bradford Young (Selma, Arrival) finds inspiration in Pittsburgh’s Hill District neighborhood, a site of the early 20th-century Great Migration. During this time, millions of African Americans moved from the rural southern United States to cities in the north and west. The Hill District saw a flourishing of culture during these years and was a site of artistic development for luminaries such as August Wilson, Charles “Teenie” Harris, Errol Garner, and many others. REkOGNIZE takes its visual cues from the Pittsburgh landscape, especially the city’s tunnels, which serve not only as literal entry points into the city, but also as metaphors for this movement of people and culture.

After an intimate encounter with her flirt, 18-year-old Güneş is left questioning where her consent begins and fades, while the fragile bond with her closest friend quietly unravels.

Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his wife suffers a spiritual crisis when she finds her life a blank and his business partners make bad decisions.

After a breakup marked by violence, Flor tries to rebuild her life as her abuser returns in her dreams in the loving form she needs in order to survive.

A former priest has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex more enjoyable, and this leads to his strange fascination with photographing asses. He gets involved with a sexy married woman, but he is more interested in her virginal maid.

American ex-Air Force man and current businessman Bob Macklin is married to the impoverished Italian-born Lisa. Bob’s jealousy and immaturity irks Lisa, who tells him she’s planning to file for a divorce before his plane departs on a business trip for Casablanca.

Soon after his insufferably arrogant father wins the Nobel Prize for chemistry, Barkley Michaelson is kidnapped by Thaddeus James, a young genius who claims to be Barkley's illegitimate half-brother. Motivated not so much by money as revenge, Thaddeus tries to convince Barkley to help him carry out a multimillion-dollar extortion plot against their patriarch.

"This film is a collaborative installation project with Orleans + Winder (Detroit). It examines Nathaniel Dorsky’s writings on Self-Symbols in film as applied to the exhibition and personalization of clothing. Dorsky writes: If you have ever looked at your hand and seen it freshly without concept, realized the simultaneity of its beauty, its efficiency, its detail, you are awed into appreciation. The total genius of your hand is more profound than anything you could have calculated with your intellect. One’s hand is a devotional object."

Valeria hates commissioned photos such as passport or wedding photos because, in her opinion, they are dishonest. She looks for honest faces. Valeria scares the customers with them, so she has to earn her money as a waitress. She begins to have doubts about her own pictures because they are not accepted. In the café, she is offered a job with a fashion photographer. Through their acquaintance with Valeria, Paul and Poupoune realize that their projections have little to do with reality.