Divorce Can Wait, Futsal Can’t

On the day of a crucial meeting for the companies fate, a young man is faced with an unexpected encounter. What seems small at first leaves a lasting emotional impact.

Sent on a forced vacation to a five-star hotel, Dr. Dolittle learns from his pet monkey Chi-Chi that an epidemic has broken out among the animals in Africa. Together with Chi-Chi, he embarks on a journey to Africa aboard a tourist hot air balloon. The duo soon discovers that the epidemic is the work of the villainous robber Barm`o`Ley, who can deny nothing to his young daughter Lea. Barm`o`Ley kidnaps baby animals to stock his daughter’s private zoo. However, after meeting Dr. Dolittle, Lea begins to reconsider her attitude toward animals — and ultimately reforms her father, Barm`o`Ley.

A graphic designer endures a hostage situation disguised as a feedback meeting.

Uyanık Aptallar

Three friends butt heads trying to figure out a game to play.

One Man Band (1999) is a posthumous archival reconstruction created by the Munich Film Museum from unfinished footage shot by Orson Welles between 1968 and 1971. The film assembles five comic vignettes—Churchill, Swinging London, Four Clubmen, Stately Homes, and Tailors—originally produced for Welles’s abandoned television project Orson’s Bag. Edited into a 29-minute composite short for festival exhibition, the film represents a curatorial reconstruction rather than a completed work authored or released by Welles. (Note: This is a posthumous archival assembly. The original unfinished project exists separately under the working titles London / Swinging London and was never completed or released by Orson Welles.)

Two guys must stop their unstable friend's rampage for CheeseBalls.

Il cervello di Polidor

After moving back to the Twin Cities, Travis struggles to accept his current circumstances. Hiding behind nostalgia, he looks to avoid the future and a potential terminal illness of a parent.

Franc-Ouest - Il était une fois

The inexplicably awkward event where two polar opposite people get stuck in an elevator at 9:30 am in the morning.

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Three young boys pool their money and pay V, a kindhearted prostitute, to strip for them. Afterward, she drives them home to the suburbs -- but then her car breaks down. It's just as well, though, because a mobster named Waltzer is after her, and V realizes the suburbs are the perfect place to hide. But things get a lot more complicated when V falls in love with Tom, a single father who is unaware of her real profession.

Returning from a hunting trip in the forest, the Henderson family's car hits an animal in the road. At first they fear it was a man, but when they examine the "body" they find it's a "bigfoot". They think it's dead so they decide to take it home (there could be some money in this). As you guessed, it isn't dead. Far from being the ferocious monster they fear "Harry" to be, he's a friendly giant.

The little asshole's grandfather, the old bag, has fallen into the coffin at a funeral and been buried alive. It's no surprise that instead of going to heaven, the old sack goes straight to hell. The little asshole and his dog Peppi, whom he inherited from Mrs. Mövenpick, try everything in their power to snatch the old bag from the clutches of the devil and do not shy away from dubious cloning techniques and black magic.

A quaint Australian fishing village is overcome by meteorites that turn its residents into the ravenous undead, leaving a small group of those unharmed to find a way out.

Gib, a beer-guzzling slob, and Alison, an uptight Ivy-Leaguer, are an unlikely duo stuck together on a cross-country trip during Christmas break. At first they get on each other's nerves but, as time passes, they find their divergent natures complement each other. Now they need to realize what they've already found before it's too late.

As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.