Sexta-feira da Paixão, Sábado de Aleluia

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

In Brazil's countryside, Amanda tries to get her first show while Thamires tries to make her first film, both at risk of the highway.

Sangria

Through a historical-affective reconstruction of the Boca do Lixo region, in São Paulo, the documentary aims to investigate what was the cultural, social and geographic impact that the cinema made there had for the city and for the country during the from the 1960s to the 1980s.

'Morra.com' reveals the strength and importance of marginal cinema in the 60s and 70s. In the film, the cardboard collector dreams of becoming a filmmaker and producing a film, while uncovering a crime that occurred in ”Boca do Lixo” .

Luz and Denise grow up in the midst of the adversities of being LGBT in the extreme south of the city of São Paulo. Between Vogue and poetry, from church to city access. The dreams and uncertainties of youth flood their existences.

Fulano de Tal

Escândalo em Vermelho

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals.

A Morte do Brasil

On the hunt to find the pieces of a medallion that can end the demonic control over Earth, Taryn is forced to go through time to save the future.

El fiestón

Eifel landlady Toni Janssen and her mother Heidi are once again running the Kupferkanne as a team of two. While Heidi's guesthouse is running at full speed, Toni wants to shift down a few gears at her newly renovated country inn. The new name "Kupferkännchen" is intended to stand for a less ambitious concept: home-style cooking for pub guests. However, their new chef Sebastian Holtmann brings the highest culinary standards with him. Not only does he have a lot up his sleeve, but he is also extremely self-confident. Toni is amazed that Sebastian would like to reopen under his own name.

Eifel landlady Toni Janssen has the blues. The unexpected single life is just as depressing as the decline of the "Kupferkanne" without the cooking skills of her "ex". The otherwise tough restaurant owner would prefer to crawl under the comforter all day! But giving up is out of the question for her mother Heidi. The fact that the Janssen women have been making it on their own for generations is their motto in life anyway. The best example: Heidi's newly opened guesthouse, which is often fully booked! It's not just business success that has a rejuvenating effect on the optimistic woman in her mid-fifties. Ron, the gardener hired by the investment-happy business founder, surprises her with his charming advances. What Heidi initially finds hard to believe soon sends her into a frenzy of love.

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