Le Soulier de Satin

In this worldwide bestseller, we watch four men over a period of more than thirty years: lawyer Jude, actor Willem, visual artist JB and architect Malcolm. The story is the history of their friendship, as they remain closely connected with each other during the rest of their lives. They develop their careers in the city where ambition and success are the indicators of a successful life: New York. Ivo van Hove adapts Hanya Yanagihara’s novel to theater and creates a penetrating performance.

Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.

Kelly surprises Nancy late one night when he returns unexpectedly to the cold dark stage of an empty theater where they are currently in rehearsals for a stage play, a murder mystery. Kelly and Nancy have a lurid and salacious history as actors and lovers. He's come back to pick up a script. She's there to meet her husband the playwright. They're surprised to discover new props litter the stage; a real dagger, a loaded revolver and a blood-stained playing card, a Joker. As certain events begin to unfold, the reality of this “play-within-a-play” leads to a deadly finale where they find themselves caught up in a web of lies and deceit. And someone may pay the ultimate price in a deadly finale! Joker's Wild pays homage to film-noir, an 'Agatha Christie like' one act, a murder mystery that also has some fun referencing the post war classics. And was a festival favorite seen at various film festivals, broadcast on HBO and others, and won various awards such as a CINE Golden Eagle.

Forasteras Y Elefantes

Actress Myrtle Gordon is a functioning alcoholic who is a few days from the opening night of her latest play, concerning a woman distraught about aging. One night a car kills one of Myrtle's fans who is chasing her limousine in an attempt to get the star's attention. Myrtle internalizes the accident and goes on a spiritual quest, but fails to finds the answers she is after. As opening night inches closer and closer, fragile Myrtle must find a way to make the show go on.

45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.

The leader of the opposition has been forced to resign in a scandal. Against the odds Angad Singh emerges as the favourite. He could win, he could make history, he could really change things – as long as his sisters keep their mouths shut.

A seasoned actor and a pop star are cast as leads in a gay romantic play. As the actor teaches the pop star method acting, the line between fiction and reality is blurred and they become drawn to each other.

When a pompous actor tells good girl Alexa that she hasn't lived, she embarks on a bold journey that takes her to mysterious bad boy Johnny. Envious, her shy best friend Ben also dares to pursue Johnny.

Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.

For Shion, an elite student in the technologically sophisticated city No. 6, life is carefully choreographed. School, study, and the occasional visit with his friend and classmate Safu. One fateful day, however, he takes a misstep, sheltering an injured boy his age from a typhoon. Known only as Nezumi («Rat»), this boy is a VC – a fugitive living outside the computerized tapestry of city control – and helping him will throw Shion’s life into chaos and start him down a path to discovering the appalling secrets behind the superficial perfection of No. 6. ☆ The first theatrical play adaptation of the popular light novel series “No. 6”. ☆

Paul and Adèle were once lovers and separated but are still good friends, one year after everything seems to take them away from each other. The key of E may be the key of true friendship, but it is Mozart that pushes them apart.

The family home is more than merely a building. It can be a destination of pilgrimage, an inherited investment, a repository of memory or even magic. And, for brother and sister Stephen and Billie, home is all they have. Mucking along in their decaying farmhouse, they're doing just fine. That is, until the arrival of an ex-clergyman uncle with an unscrupulous plan, a sister-in-law seeking a miracle, and a prodigal brother hell-bent on trouble.

A successful couple with a beautiful daughter, gorgeous home and a mother-in-law and housekeeper that are both eccentric are all the ingredients necessary for a somewhat perfect yet always interesting family. But when Jennifer finds out that her husband Terrance has been cheating on her for years, the family is changed forever. Can Jennifer learn to forgive Terrance so their marriage can be saved, or is it too late to make amends?

On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.

Regina McKenzie struggles with still living at home with her parents, juggling questionable career choices, and dating the wrong men. Love on a Two Way Street is a live stage play event that covers the entire emotional spectrum.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings, and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for 25 years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".

Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.