Enrico Brignano: Brignano tutto casa e teatro!
Maurizio Battista: Papà, perché lo hai fatto?
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A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.
Filmmaker, illustrator and musician Dame Darcy's weekly television collaboration with Blessed Elysium's Lisa Hammer aired on New York's Public Access from 1996-1999, presenting original drama and comedy in a German Expressionist style, utilizing New York underground personalities including Jennifer Nixon (aka Queen Itchie), Peter Moran, Bliss Blood, Banjo Pete, Miller Duvall, Secretary Jenny, Cynthia Mitchell, Patrick O'Clock (aka Patrick Hambrecht), Jasper McVain, Daisy Miller, Li'l Sweetie, and Countessa Cinorre, as well as celebrity guest stars Thurston Moore, Courtney Love and Tiny Tim.
Gabriel Iglesias is one of the fastest-rising comics today! With his unique brand of humor, lovable stage presence and wide range of voices and impressions, it's no wonder that he already has a huge fan following. Now you can see Comedy Central's "Comic of the Year" in his sold-out performance at the historic Fox Theatre in Bakersfield, California!
Richard Groenendijk: Voor Iedereen Beter
Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.
A violent stop motion cabaret for the cynical and depraved. Guilt, alcoholic apathy and the inevitable, looming apocalypse threaten to push a young man to the brink.
Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.
Jenő Rejtő's works have one purpose, entertainment. One laughs to tears during a cabaret scene. In this show, the best comedians present his writings, Ila Schütz, István Mikó, László Tóth Tahi bring Rejtő's heroes to life.
An entertaining compilation of cabaret scenes by Jenő Rejtő, accompanied by contemporary chansons.
An entertaining compilation of cabaret scenes by Jenő Rejtő.
One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.
De Vele Gezichten Van Tineke Schouten
ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea
Stage registration of the sixteenth show by the Flemish cabaret duo Kommil Foo. 'Schoft' is, once again, a show about the human condition. About mankind who tries to hold his own, but inevitably stumbles and falls. Time and again man will scramble up, only to fall again later. A laughable, but also comforting thought.
From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.
Doktor Murkes gesammeltes Schweigen
Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.