Vixen - Live in Music Hall Köln

Swedish metal band The Order Of Israfel perform a selection of songs off their first album 'Wisdom' at the Sweden Rock Festival on June 3rd, 2015.

Memoirs of a Madman is a definitive visual two-disc DVD set which includes classic music videos, along with unreleased and out-of-print live performances, plus interviews from his solo career. Both sets offer fans of the multi-platinum recording artist, Rock & Roll Hall of Fame inductee and three-time Grammy® winning singer and songwriter the ultimate collection from Ozzy's distinguished solo career.

Thee Hypnotics were one of those late 80's / early 90's bands that dug deep into the roots of rock, filling the gap between alternative rock and metal with their retro-garage sound. Originally from High Wycombe, they set about tearing up the local scene before before spreading their disease across the UK, Europe, and beyond. Three parts loose 'n loud garage rock, one part grungedelic progpunk, Thee Hypnotics produced the kind of uplifting vibe that most of the big-league rock 'n rollers had lost years ago, and most of the newer bar-room gutter rock and tripped-out psyche revivalists could only dream of.

In different times and spaces, genres like Death Metal are born. The early 90′s were still full of the 80′s vibe of over-consumption & greed, which found it’s way into everyday life, even into the music that was created. Just like hardcore in the early 80′s, not all of the teenagers of this decade wanted to hear the bubblegum pop that had invaded the airwaves. Death Metal did not want to be digested by the masses, and as a sub culture it was totally happy being the outsider. I’m not sure what was in the water in Florida during the late 80′s, because those kids were on some next shit, and they helped push the genre to other heights. When you are living in a certain period of time, you do realize that the life you are living could become historic to others in the future.

Heavysaurs is a partly-animated, live-action family adventure about two kids who find five funny dinosaur creatures that love to eat and play rock music. When the creatures are taken into captivity, their rescue takes the kids on an exciting adventure full of challenges and surprises.

The mighty UFO performing live in Wilhelmshaven Germany May 13, 2005.

Motörhead Live: Everything Louder Than Everything Else features Lemmy and his band of metal warriors shaking Munich's Deutsches Museum to its Foundations. 1. Metropolis 2. Going To Brazil 3. I'm So Bad (Baby I Don't Care) 4. Traitor 5. No Voices In The Sky 6. Just 'Cos You Got The Power 7. Angel City 8. Love Me Forever 9. R.A.M.O.N.E.S. 10. Orgasmatron 11. Killed By Death 12. Ace Of Spades

After putting out a live double CD, fans were asking for a visual output. Now, the show recorded on December 9, 2016 in Brno, Czech Republic at Hala Valdova will be released in video format to complement the audio release. A celebration of Dirkscheider's ACCEPT era, there's a cover version of Frank Sinatra's "My Way" as a bonus track on the CD and vinyl.

Bonus DVD with promotional short movies for songs from the Back In Black album.

The mighty Big Business live in concert. Filmed and Recorded February 19th, 2005 at the Crocodile in Seattle Washington. Thirty one minutes of HEAVY action.

Interviews with Lemmy, Phil Campbell, Mikkey Dee, Eddie Clarke and Phil Taylor. Released with the 30th Anniversary edition of INFERNO.

Official Bootleg DV of Dream Theater Concert in Santiago Chile on 12/06/05.

In this dazzlingly filmed live performance of Sam Harris’s award-winning one-man musical, Harris belts out original songs and beloved ballads while playing 11 different roles to tell his own life story — from growing up gay in Oklahoma’s Bible Belt to his escape for Los Angeles, where his rendition of “Over the Rainbow” on Star Search led to fame, Broadway, television, platinum records, and Carnegie Hall. But after the highs and lows of a life in show business, Sam ultimately learns to ask: When is enough finally enough?

(Zaatar) works with (Mulabbasa) in the acting troupe managed by (Jawhar). When (Jawhar) learns about the story of (Nagati Pasha's) son who disappeared twenty years ago and has not been found, (Jawhar) offers (Zaatar) to impersonate the son, and Zaatar in turn enjoys a life of luxury with (Nagati Pasha's) family, but he soon learns that (Hiam's) fiancé, (Nagati Pasha's) daughter, is embezzling the Pasha's money, and Zaatar feels guilty over time about what he is doing to this family.

An experimental short film based on Maki Kusumoto’s KISS XXXX. Released in February 1991, this visually driven work features musical contributions from the underground Japanese bands Katsurei, Sakana, and dip the flag. Fusing Kusumoto’s signature gothic-romantic aesthetic with atmospheric soundscapes, the film stands as a rare artifact of Japan’s early ’90s avant-garde scene.

Framed in flashback, The Man Who Loved Redheads is an anecdotal comedy about a man (John Justin) whose life is defined by his first romantic experience. That liaison occurred in Justin's youth, when the young man matures and enters the diplomatic world, he spends the rest of his career searching for his first love.

Popular classical melodies are illustrated with images of animated characters.

This is the story of Harry, Niall, Zayn, Louis and Liam; five boys from the UK who are taking the world by storm. One Direction are a global phenomenon, spearheading a British Invasion of America not seen for fifty years. From their explosive first appearance on The X Factor to becoming the hottest boy band on the planet, Reaching for the stars features previously unseen footage from the boy s world tour and concerts. Interviews with industry experts explore what really makes these teen idols tick, and as this pop fairy-tale unfolds we ask what s next? for the boys who seem to have it all.

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

Tonoin Kei, a musical genius, becomes the new conductor of Fujimi, clashing with the group's leader, Morimura Yuuki, who is unaware of Kei's feelings for him.