Letter to the Young Intellectuals of Hong Kong is a 35mm film that utilised and appropriates footage from a documentary Henry Moore exhibition in Hong Kong, through over-dubbing, painting directly onto the film and other gestures, Mok turns the material into an incendiary address to Hong Kong's youth. Intercut with newly filmed material creates, the film also functions as a personal diary of Mok's political activity throughout the 1970s.
Motherboard
“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.
It could be said that space is never just the absence of matter, but is somehow a step ahead of it. As such, it is the initial principle of what is emerging. The dancers and their movement are embedded in multiple layers of materiality such as texture, skin, air, floor, movement, sound in this poetic short dance film. Just as a membrane envelopes and defines the most basic structure of a cell, it also teaches us about the multi-directionality of our attention. The intelligence of boundaries/“membranes” as spaces of response, bring us a sense of containment, limits and at the same time, provide a doorway through which we turn towards the other.