Pour 100 briques t'as plus rien maintenant !
Un nouveau départ
1927. The place is Kalmar and the Grossman family home. A hungover manufacturer Julius Grossman and his wife Solveig are waiting at home for their daughter Betty to arrive by train from the capital. To their great surprise, she arrives in a car with her suitor Greger in tow. What's more, she seems to be full of contemporary trends and modern ideas about marriage, among other things. Her father Julius would rather see her marry his business partner Hilding and thus retain control of the company. Hilding is a dull, somewhat dreary, and slightly overage bachelor who suddenly becomes every woman's dream prince when a rumor begins to circulate that he had a relationship with the famous movie star Rita Ray in his youth.
When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.
A television recording of a theatrical production of Alfred Jarry's absurd drama about the gluttonous, gluttonous, compulsive and unscrupulous Father Ubo, who, with the generous advice of his ambitious wife, gets rid of the Polish king and seizes his throne. He establishes a reign of terror in which he only cares about his own benefit, so it is not surprising that the people rebel against him. The recording was made at the end of July 1968 and, thanks to a copy saved from destruction during the normalization period, was first published in 1990.
Kdyby tisíc klarinetů
After the King of Far Far Away dies, Shrek and Fiona are to succede. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, he and Donkey set off to bring him back to rule the kingdom.
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.
Young William Shakespeare is forced to stage his latest comedy, 'Romeo and Ethel, the Pirate's Daughter', before it's even written. When lovely noblewoman Viola de Lesseps auditions for a role, they fall into forbidden love — and Shakespeare's play finds a new life (and title). As their relationship intensifies, the comedy soon transforms into tragedy.
Cvokstory
Hráči
Ça reste entre nous
Rivalové
Láska ke třem pomerančům
Two local toughs run a ramshackle gambling and dating den under the cover of a "hunting club." The place is frequented by all sorts of characters, from the upper crust of Naples to petty criminals who use it as a base of operations, and the noise is such that it won't take much to blow their cover.
On his way home, Don Simone meets his friend Ciccillo, who asks him for a favor: to entertain the husband of a woman, his lover, until they find the keys to her house. Simone accepts the task and his friend points out a man sitting in a pizzeria as the lover's husband. After a series of mishaps, however, poor Simone discovers that the man had nothing to do with it and that the person Ciccillo wanted to entertain was actually him.
La maîtresse de mon fils
Chi è cchiù felice 'e me
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
Enrico, a traveling salesman who lives in a room in Amalia's house, returns from a long trip to find that his room has been turned into a funeral chamber for the death of Gennaro, the woman's husband. Shocked, the man confides his fears to a doctor, who replies that the only real fear is that of the living, not the dead.