Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991
Sebz traces an intimate and heartbreaking journey through her past and present, exploring the nuances of her identity as a non-binary, black, asexual trans person. Through an introspective narrative, Sebz reflects on the abuse she suffered as a child and the revelation that these experiences were not unique, but also familial. In a space where memory and reality intertwine, Sebz confronts her relationship with her mother, a complex connection torn between rejection and a search for understanding, accentuated by tensions of gender, sexuality and shared trauma. This short queer documentary is an honest and courageous portrait of wounds, family ties and the resilience that defines those who seek to exist beyond social impositions.
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
In his one-man show "Gay Hist-Orgy," MacKinnon guides the audience on an erotic journey through the hidden history of same-sex love, examining homosexuality's impact on "the progress of art, philosophy, culture, and politics" with equal parts insight and wit. MacKinnon also curates Queer Mondays, a monthly non-elitist LGBT variety show at Highways in Santa Monica.
Documentary about behind the scenes of Pabllo Vittar's highly anticipated show at the first edition of The Town, in São Paulo.
The documentary mixes reenactments with true accounts from four characters/actors who tell the stories of six black gay men, their experiences and their romantic relationships crossed by racism and homophobia.
While non-binary representations are rare, Lou talks about their relationship to gender, clothes, and other markers.
Mini documentary about the recently launched girl group from São Paulo, Katy da Voz e as Abusadas, in a concert at Zig Studio.
A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
He was born different, and chose to become unique. Becoming Lucky Love follows how Luc Bruyère turned his “flaw” into strength and his life into an act of creation. Born without his left arm, he faced the violence of people’s gaze from childhood, sinking into shame and self-destruction. “I was born homosexual, without a left arm — I didn’t fit what a man was expected to be: a figure without nuance, categorical,” Luc confides. Instead of giving up, he chose to transform himself and become what he had always dreamed of: a singer and performer. With his angelic face and magnetic presence, nothing seems to resist him — yet his blazing loves and excesses marked him deeply. Now, on the verge of turning 30, he looks back without filters. Becoming Lucky Love paints the portrait of an avant-garde, captivating outsider who proves that destiny can be endlessly reinvented through strength, poetry, and self-invention.
The rise and fall of the biggest star of travesty show in Prague in the nineties. The film tells the story of a man with shocking sincerity and openness in confession of two different personalities, woman and man living in one body.
BATE CABELO! unveils the story of an artistic creation that became a living symbol of memory, embodiment, and resistance.
This documentary contains dramatized episodes about the lives of Erika and Klaus Mann, the brilliant children of German writer Thomas Mann.
In an Amsterdam gym for queer people, three individuals confront doubts about their belonging. David, often read as straight due to his style and body type, feels undesired and questions if he “counts.” Qianyu, nonbinary, struggles with invisibility as queer nightlife favors cis gay men, and past health issues make joining the gym daunting. Barbara, 67 and bisexual, wonders if she still belongs after past rejection by parts of the lesbian community. Through candid conversations and colourful, sometimes absurd fictional scenes, their insecurities and longing for acceptance are explored. Ultimately, the gym becomes a space of vulnerability, solidarity, and self‑realization, helping them see that they are indeed “queer enough.
My grandfather, married for 57 years in Costa Rica, died in a fire in 2019. My father revealed to me that, like myself, my grandfather was gay. After this revelation, together we revisit my grandfather's life, seeking to give him one last act of liberation while discovering ourselves in the process.
Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.
During the women's demonstration on March 8, 1972, Mariasilvia SPOLATO was there with a placard: Liberazione omosessuale. A month later, Simone de Beauvoir came to Rome to give an interview, and this placard illustrated her article. Mariasilvia could no longer teach, ended up homeless and spent her life on the trains.
The documentary tells the story of Camille Cabral, Northeastern woman, transsexual, first Brazilian elected in France.
In 1980, the first march of gays, lesbians and transvestites took place in Brazil in protest against the constant police operations that took place in São Paulo, which aimed to repress these groups. Based on Renan Quinalha's doctoral thesis, “Against morality and good customs: the sexual politics of the Brazilian dictatorship (1964-1988)”, carried out by the Institute of International Relations, a series of four 5 minute videos about the birth of the LGBT movement during the Military Regime.
An animated documentary that speaks to immigrants' personal experiences living in Aotearoa, exploring themes of racism, discrimination, loss, loneliness, and maintaining cultural ties while living in another country.