The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.
Middle-aged Antonin and his friends, the major, now retired, and the canon, are in the river, swimming and philosophizing. Then it starts to rain. It just seems to be that sort of summer. Antonin runs the swimming bath with his portly wife Katherine... A man appears with his horse-drawn caravan. He lays a striped pole across the river and walks over. With a handstand and a magic trick, Ernie the Conjuror invites everyone to that evening's performance... Ernie is a tightrope walker of only modest skill, but with a slim and beautiful assistant, Anna. Antonin speaks to her. The two spend the night in the change room by the river, Antonin massaging her feet all night long. Katherine decides to move into the caravan with Ernie. But now the major and even the canon sense Anna's attractiveness...
Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.
While preparing for the anticipated summer party in a cramped bathroom, Mercedes navigates her blossoming desires.
A soldier in the Civil War suddenly finds himself out of place and out of time.
A bunch of beautiful girls are going to shoot photos for the new bathing suit season in Hawaii playing with water toys, fulfilling their own erotic fantasies.
An ambitious female attorney wallows in excess and meaningless sex with both male and female partners, while dealing with her personal life problems including helping her kleptomaniac sister.
Cecilia, Alberto, and Felipe live through a strange epidemic that plagues the abandoned streets of a coastal town. Suddenly, an uncontrollable desire forces them to leave in search of the sea.
To save his career, an ad man wants a sex symbol to endorse a lipstick but in exchange, she wants him to pretend to be her lover.
When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.
One day, on a whim, Marc decides to shave off the moustache he's worn all of his adult life. He waits patiently for his wife's reaction, but neither she nor his friends seem to notice. Stranger still, when he finally tells them, they all insist he never had a moustache. Is Marc going mad? Is he the victim of some elaborate conspiracy? Or has something in the world's order gone terribly awry?
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
A widowed child psychologist lives in an isolated existence in rural New England. When caught in a deadly winter storm, she must find a way to rescue a young boy before he disappears forever.
This Softsex-comedy points out what people are doing everything so when they feel unobserved in their closed doors.
When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.
A serial killer is loose on the streets of LA, leaving behind a steaming trail of bodies marked with lipstick: the calling card of a Black Widow who loves them and leaves them dead. As homicide detectives unravel the case, they discover the victims all have one thing in common: they’re crooked ex-cops who escaped justice. But they didn’t escape the sting of the Black Widow. As the investigation hits ever closer to home, the police must consider that the killer could be one of their own, a vigilante who is taking the law into her own hands, and tracking these murders will take them through the dark and seedy underbelly of Los Angeles where they soon discover that revenge is a dish best served hot.
Tired of being bossed around, Jean-Jacques, a talented cook quits his job to start up his own restaurant. He does a business course run by Claude, a frustrated writer. Lacking the necessary capital to get started, Jean-Jacques realizes that his dream may come to nothing. He stresses out, can’t sleep, starts taking tranquilizers mixed with alcohol.
Arati takes a job as a door-to-door saleswoman in Calcutta's wealthy neighbourhoods, in defiance of her traditionally-minded husband, Subrata, and his live-in parents. Emulating her Anglo-Indian friend Edith, who speaks equal to the men she encounters on the job, Arati quickly becomes her firm's top salesperson. When Subrata loses his job, the power dynamic begins to shift.
The comedy “Ein fast perfekter Seitensprung” was not only successful, it was really well-done. The first sequel is, as most sequels, less attractive. As the charming mix of Germans and Austrians itself wasn't new and interesting any more, Schwabenitzky had to concentrate more on the less terrific elements. He emphasised the character-clichés and made up a more complex story, in order to bring down as many of the characters from the first film as possible. This sequel is only worth watching if you're a great fan of the first part. Actually, not even then.