Blü: The Unmade Film

Two brothers clear the air and have a bonding conversation on the past.

Tom and Malte are best friends; they make music together, DJ in Berlin clubs, dream of a career together, party until they drop, wait tables at a casting service and yet they are very different: Tom struggles with himself, his life and the future. When one day Mavie, Mitsch's "little" sister from Munich, moves into the Berlin flat share, Tom's emotional rollercoaster begins. Daredevil Malte, on the other hand, seems to have his luck in his pocket: Everything he touches succeeds. Tom sees no other way out than to escape: out of the city and into another life. His friends try to stop him, but even they know: Tom has to make this decision himself if he doesn't want to stand in the way of his happiness forever.

In this sun soaked adventure for the entire family, a group of five orphaned children form their own makeshift family while attempting to operate outside the rules of society. Though they must sometimes steal to survive, their loyalty to one another means that they will always have a brother or sister to count on.

Offbeat documentarian Chris Smith provides a behind-the-scenes look at how Jim Carrey adopted the persona of idiosyncratic comedian Andy Kaufman on the set of Man on the Moon.

Nothing gets between Anne Marie and her board. Living in a beach shack with three roommates, she is up before dawn every morning to conquer the waves and count the days until the Pipe Masters competition. Having transplanted herself to Hawaii with no one's blessing but her own, Anne Marie finds all she needs in the adrenaline-charged surf scene - until pro quarterback Matt Tollman comes along...

An adulterous woman and her lover plot to murder her husband Kostas and make it look like a yachting accident. However, unknown to them, Kostas has hired a private detective to follow them and knows of their plans in advance. A deadly game of double-crossing begins and propels all three of them towards tragedy.

A lower-level fisherman is waiting for the birth of his wife's child after both of them have been through prolonged anxiety. They believe the myths about the stolen turtle eggs are able to maintain the wife's pregnancy. But they will be faced with regulation of turtle conservation and climate change in their area.

In 1912, the Titanic embarks on its inevitable collision course with history. In the wake of the over-spending required to build the largest luxury ship in the world, White Star Line executive Sir Bruce Ismay schemes to reverse the direction of his company's plummeting stock value. Onboard the Titanic, brave German 1st Officer Petersen struggles to convince his self-important British superiors not to overexert the ship's engines.

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry after the shipwreck, everyone is afraid of him, except for Amy, who is very kind and helps him. Soon he becomes like a son for Dr. James Kennedy and romance between Yanko and Amy follows.

Haunted by an accident he caused in high school, a damaged filmmaker is forced to go back to the scene of the tragedy and face the friends whose lives he ruined and a town that disdains him. Jumping between the present and an indie film he made about the accident reveals how the true events played out far differently than depicted in his movie.

Camille arrives in Ouessant, the island of her birth off the Brittany coast, to sell the family home. She spends a last night in the house during which she discovers a secret. In 1963 a man came to work with her father, who was the Jument lighthouse operator. He only stayed two months, but his presence proved to be a disturbing catalyst.

Iranian Iradj Azimi directed this French historical drama re-creating events depicted in the famous 1819 painting The Raft of the Medusa by Jean Louis Andre Theodore Gericault (1791-1824). The ill-fated voyage of the frigate Medusa begins when it departs Rochefort for Senegal in 1816. After striking a sandbar off the African coast, 150 civilians row safely to shore, but Captain Chaumareys (Jean Yanne) orders 140 soldiers and sailors onto a raft (minus supplies) and has it cut loose. Only 14 survive from the 140, creating a scandal back in France. Gericault (Laurent Terzieff) later talks to three of the survivors while researching his painting. Work on this film began in 1987, but sets destroyed by Hurricane Hugo caused delays, so the film was not completed until 1990. However, it then remained undistributed until an incident in which writer-director Azimi slashed his wrists in front of French Ministry of Culture officials.

Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.

A film student at Ryerson University struggles to complete her thesis project.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

When their ocean liner capsizes, a group of passengers struggle to survive and escape.

Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.

An idyllic voyage to Tahiti in 1789 turns a crew aboard the H.M.S. Bounty against its captain when they find a tropical paradise.

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.