Memórias de um projecionista

Entre Abril e o Medo

Deus me livre te amar

Escalada à Torre dos Clérigos

"Estadio Novo is about Portugal, its football and its fans. As hordes of supporters descend on the ten brand new stadiums for Euro 2004, this lively and informative documentary takes a look at their impact. Examining the role of football in Portugal before and the revolution of 1974 it asks... what's really going on?"

An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.

A documentary about the last farmer of the old Foz do Douro in Porto, Portugal.

A sensory journey through Porto in the 2000s, built from visual memories. Through the collection, manipulation and frame-by-frame animation of thousands of photographs drawn from many different lives, the film assembles a collective vision of a city suspended between memory and dreams — a city that no longer exists, or perhaps never existed at all.

Porto Electronica 1985-2005

Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.

Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

Two married people fall in love and everything else breaks apart. A infidelities story told in a female voice.

Two schoolboys, Carlitos and Eduardo, fight for the affection of a girl, Teresinha.

Anastácio lives in Lisbon and is fanatic for Sporting CP, one of the city's football teams. When the team travels to face Porto, he follows it with the family, staying in house of his friend, Mr. Barata, pretending to be rich.

Os Azeitonas ao Vivo no Coliseu do Porto

Follows the fictional rivalry between two of Portugal's most prominent football teams - Invicta e Castelo and how their mutual disdain has spread further than the pitch.

The film follows two former lovers who unexpectedly reunite on a Christmas night in Porto. Their encounter sparks a reflective journey into whether life offers second chances at happiness. Sequeira penned the script.

Maria Joana navigates the discoveries and transformations of adolescence. She experiences her first night of freedom and independence at the local Saint John's street celebration, testing her limits and confronting her inner fears — but not without consequences.

Olívia, a fashion executive, and José, a photographer, gets together in Paris, having casual sex and talking a little about relationships. And, in some days, they meet again in another city. And another one. And another... Latitudes is a trip around the world, the love and the poem of living.

Popular in the riverside area of Porto, Micas raised her daughter, Madalena, at the cost of sacrifice, as her father emigrated to Brazil. With a happy voice, Madalena works on unloading the coal, seeing her loves thwarted by her humble condition. Barata, another typical figure who makes a living from expedients, helps Madalena's father - meanwhile returned, to "register" her - in a kidnapping plan capable of facilitating her reconciliation with Micas, who is reluctant... Things get complicated, but happiness ends up triumphing.

On the outskirts, residents feel marginalized from society, as if they had no identity, and this is reflected in the surrounding buildings, anonymous in their neglect. The first character is one of these residents, who, while wandering around the city, finds a wallet lying on the ground. The moral duty to return the wallet conflicts with the vision of a new future, far from the shadow of the suburbs, through the assumption of a new identity.