Recortes - 20240315

Today, film is no longer used to take photos, but to capture memories. On the day of the "Black-out", the pictorial traces left by digital technology disappear...

A boy waits in the same street every day with his bags packed. What is he waiting for?

The mind of a prisoner, expressed through various poetic stanzas, corrodes at the same rate as the house they are trapped in.

an experimental short shot completely in black and white and attempts a new technique.

Amanhã é Melhor

Colors and snowfall surround a street lamp with a loose fixture on time and space in this abstract ambient vid.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Autumn adventurers unite! "Leaf Peeper" takes you on a frantic frolic of Fall foliage until your eyes pop out. Shot on Super 8 in single frames with pixilation, puppet stop motion, frenetic pans, and plenty of plaid, this very short short film packs every second with as many picturesque and picaresque frames as possible, turning leaf peeping into equal parts immersion therapy and extreme sport to capture the sublime bliss of a lovely day out and about.

Music by Byron Westbrook, 16mm film by Paul Clipson.

Two men in the moors alone, fighting their free will and masculinity (or lack thereof).

An experimental, activist short-film following Quinn, who falls pregnant, but did not have the freedom to choose. So she takes matters into her own hands.

À TOA

Vídeo de Um Minuto

A loop of a guy in Maine hanging out in his room.

Experimental short film

Did you look at the sun for too long, until the shapes of the surrounding world stretched and the colors became distorted? In this music documentary, the band Mikko Sarvanne Garden performscompositions set to contemporary poetry: Heräämisen valkea myrsky, Valo jota pöly juo, and Hiljainen kuin metsä.

The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.

Algo Observa

Experimental short film

The gaze in autocorrelation.