The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.
Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.
Sexta-feira da Paixão, Sábado de Aleluia
In Brazil's countryside, Amanda tries to get her first show while Thamires tries to make her first film, both at risk of the highway.
Luz and Denise grow up in the midst of the adversities of being LGBT in the extreme south of the city of São Paulo. Between Vogue and poetry, from church to city access. The dreams and uncertainties of youth flood their existences.
Sangria
Fulano de Tal
Escândalo em Vermelho
A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025
Through a historical-affective reconstruction of the Boca do Lixo region, in São Paulo, the documentary aims to investigate what was the cultural, social and geographic impact that the cinema made there had for the city and for the country during the from the 1960s to the 1980s.
Helena! Cinema!
'Morra.com' reveals the strength and importance of marginal cinema in the 60s and 70s. In the film, the cardboard collector dreams of becoming a filmmaker and producing a film, while uncovering a crime that occurred in ”Boca do Lixo” .
A Morte do Brasil
JUESS WHO'S BACK
A delivery worker meets a mysterious woman at a traffic light. She turns out to be a secret admirer and invites him to visit, leading to unexpected life changes.
Sisi, Coco and Juju are three women from very different backgrounds. The first one, on the outs with her husband, is always ready to take on all the misery of the world. The second, a waitress, is eager to find her fiancé, Jacques. As for the last one, she is coming back from the funeral of her uncle, who left her a gas station. Except that Juju's uncle is none other than Jacques, Coco's fiancé, who is not aware of her death.
Childhood friends Jacques and Enzo share a passion for the danger of free diving. Jacques, following in the footsteps of his father, who died at sea when Jacques was a boy, harbors a remarkable ability to adjust his heart rate and breathing patterns in the water, with his vital signs more closely resembling those of dolphins than men.
After arriving on a ship in Valparaíso, Bohr meets Euríspides Chamorro, with whom he begins a trip through Chile, full of sketches, most of them led by the comedy duo Los Capo- rales.