Childhood memories

A teenager stumbles upon a mysterious book from which he reads the written words out loud. As it turns out, playing with black magic spells is not the most sensible idea, because soon a bloodthirsty zombie appears, and the carnage begins. However, the curious young man reads another spell from the book in which he then surrenders his soul to the devil. Now he becomes the target of the zombie hunt, and all its victims, who rise up as the next living dead!

A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.

The hands of Narcisa Hirsch, a nonagenarian, open another Super 8 film cartridge to load a camera. In what seems like a ritual of passing on a legacy, the grandmother and her grandson, Tomás Rautenstrauch, watch a film of a meadow that gradually fills the frame.

A woman plays with three creatures in a mysterious world. As she breathes life into them, they feed on her life essence. What began as a game transforms into a total surrender, where each being she creates drains her elixir, leaving her with a rush of pleasure in return.

It looks like it's going to rain. Yes, no doubt about it. Let's ask the horizon... over there, behind us, where the sun sets. The sun in the city hides in the concrete. The sun in nature, like consciousness, dwells in the darkness of our complex being. There will be no perpetual peace on earth or in heaven. To sleep in peace, to rise at dawn.

A journey into the bodily emotions conveyed by nature. Contemplation in dialogue with intimacy and vastness. Projected on Super 8 film with three projectors.

Suspended Memory: Fragments of a Mind on Pause is an example of how the traditions of essay film and film poem converge to explore the landscapes of memory and intimacy. Through the use of black and white and the integration of analog formats, a visually rich and emotionally resonant work is created.

The dirt road divides the soybean fields from the cornfields. Sometimes, when the hybrid crosses, the chøja is born. The seed is transmitted between the legs of a toad, as long as the cold of a ghost or the rotten teeth of a pig don't stop its leap. Its mission accomplished, the expansion of the chøja continues. It grows surrounded by isolation, knowing how to dilute itself, yet remaining. The erotic man, in league with the toad's feces, smells where to place his wire, but doesn't point out the impossible. Meanwhile, hidden within the fall, the chøja mummifies the original crop. Where is it? How much do I have left?

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

A young filmmaker undertakes the task of filming and editing a movie in Super 8 millimeter format.

Film about protests, demonstrations and commemorative actions one year after the events of December 19 and 20, 2001. It documents a protest in front of the IMF headquarters, the placement of memorials to the fallen (Street Art Group, Popular Screen Printing Workshop and other collectives) and the march to Plaza de Mayo by the piquetero movements and popular assemblies.

Urban symphonies are a genre within experimental and documentary cinema: architectural recordings, everyday actions, travel diaries. This film-performance shares scenes of Los Angeles filmed in 2022. Geometric forms, human movement, glazes, reflections, the interplay of filters, and the transition from black and white to color expand the image, opening multiple windows. A pulse-pounding depiction of this great metropolis.

A visual essay in expanded cinema constructed from found footage: fragments of home movies from trips to Mar del Plata, found on the street and in flea markets, alongside a kind of remake filmed three or four decades later in the same locations. The piece reflects on the use of the format, the perspective of the first amateur cameramen who went on vacation with their cameras, and the beginnings of home video recording.

Two men who have been friends for quite some time and who live in different cities maintain a correspondence with Super 8 film reels that they occasionally send to each other. One of these film reels shows a woman who reminds the addressee of a former girlfriend. Immediately and without paying attention to his obligations to the company, he drives the company car to the city of his childhood friend, 780 km away. There he finds out that she has been the secret lover of his Super 8 friend for years. After about three or four weeks, which they spend on the coast of another country without any significant difficulties, the lover of the childhood friend rows his boat alone across the Atlantic after an obviously frame-up rescue operation.

After a breakup, Titus looks back on the relationship through rose-colored glasses.

Concert footage of The White Stripes recorded in January of 2004, featuring tracks from the band's four studio albums as well as live favorites like the Dolly Parton cover "Jolene"

Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into the darkness and roam its streets with horns, bells, and smeared with soot. Una dança non sancta could have been just an anthropological documentary. Instead, it delves into the inferno with the town’s residents to participate in and immortalize this unholy ritual.

A poetic Super 8mm film created by Rachael Wilson and Anderson Matthew set to accompany the live recital performance of Olivier Messiaen’s Harawi – Chant d’amour et de mort (1945).

A super 8 film. A woman in search of precious items left behind by someone special. Una mujer en busca de objetos preciosos dejados por alguien especial.

Paying tribute to artist Noah Purifoy and his Outdoor Museum, Matthew’s film ‘A Desert Moment with Noah’ rapidly animates 78 still Super 8mm images like a slideshow gone haywire. Exploring the of elasticity of time, the film manipulates the essence of a moment as it periodically pauses to allow the viewer a space with various objects, surfaces, and textures within Purifoy’s Joshua Tree sculptural environment.