Louise is a young actress whose first film has been selected for several festivals. Remembering her first love with Dimitri, she decides to contact him again before she goes to Cannes. But time has passed, and their meeting testifies to the incomprehensibility between the two former lovers, who no longer know what to say to each other.
The strong fight between two brothers ends with the life of one of them. The eldest will drag the guilt of eternal mourning and emptiness, in addition to the burden of having condemned their parents to the pain of a silent mourning.
During a session with his psychoanalyst, Alexander Portnoy rants about everything that is bothering him. His complaints include his childhood and his family with an emphasis on his mother, his sexual fantasies and the problems that he has with women, and his obsessive feelings about his Judaism.
The wife and son of an unemployed, foul-tempered man suffer under ever-worsening domestic violence. One day while his father is taking a nap, the young son decides to take matters into his own hands. In a panic, the wife and son both believe the man is dead and dump him on a roadside. The man survives, however, and returns home weeks later confined to a wheelchair probably for the rest of his life. How will each member in the family cope with this new situation?
Charles Dickens tells his young son Walter the greatest story ever told, and what begins as a bedtime tale becomes a life-changing journey. Through vivid imagination, the boy walks alongside Jesus, witnessing His miracles, facing His trials, and understanding His ultimate sacrifice.
Two New York film editors balance their personal relationships while reworking a movie in crisis.
An anthology film produced by mc² film, consisting of ten short films centered around the smoking of a cigarette after different major events.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
A simple scene of two rather flamboyantly-dressed Edwardian children attempting to feed a spoonful of medicine to a sick kitten. The film is important for being one of the earliest films to cut to a close-up, then back again to the same medium shot as before.
Jennifer Carpenter, Kristen Connolly and Alexander Poe star in a comedy about three New Yorkers struggling to uncover the truth behind their romantic entanglements. Disheartened by his latest relationship catastrophe, Graham (Poe) attempts to rekindle the spark with his ex-girlfriend, Laura (Connolly). In the attempt to win her back Graham discovers he has a unique problem: Laura and another one his ex-girlfriends (Carpenter) are dating the same guy.
A group of women fight patriarchy and societal values. Prem Kaur, a new police officer, uncovers dark secrets and becomes a beacon of hope for the womenfolk.
A mentally-handicapped young man, a sex-obsessed tortured artist, and their responsible but somewhat prideful brother are all grief-stricken in the wake of their mother's death. The three brothers live with their father, a withdrawn and abusive parent who offers no consolation to his mournful sons. The dysfunctional family's dynamic is further complicated when the father strikes up an eccentric sexual affair with a Chinese man who is nearly the same age as his own sons.
Three families struggle to find their true selves and their soulmates in a world full of expectations, pressure and obstacles. Inspired by real events, this film shows how they pursue their dreams and potential without losing themselves.
A presentable man tries to break off an affair with a girl who has been damaged not only mentally, but physically.
Grande Muralha
Veronica, a woman fed up with the routine of her life, runs away from the van in which she is traveling with her husband. Marcela, a taxi driver, will help her escape from it. Together, they will travel through Mexico City, sing at the top of their lungs, cry, count planes in the sky and become friends for an afternoon.
Two different but strangely complementary young women living together are pictured in a fragmented and non-linear narrative about incommunicability and alienation.
Itamar and Thomas share a bed, walls, an apartment and electricity bills. Thomas commands, manages, and criticizes; Itamar is silent and listens. Between the apartment walls, frustration and loneliness unfold.
A mysterious visitor spends the night at an apartment belonging to a young engaged couple and their friend. Over the course of the night and the following day he sleeps with all three roommates and then disappears, leading to conversations about God, life and filmmaking.
This project takes its shape from a conversation recorded between Rachelle and Toby, a real couple, living in Brooklyn.