Escargots, le grand voyage du petit-gris

Dania is 21 years old and grew up in a Christian community in the Faroe Islands’ Bible belt. She has just moved to Tórshavn and is seeing Trygvi, a hip-hop artist and poet locally known as Silvurdrongur (Silver Kid). He comes from a secular family and writes poems and texts about the shadow sides of humanity. Dania herself sings in a Christian band but is fascinated by Trygvi’s courage to write brutally honest lyrics. As she tries to find her place in the world and understand herself, she starts to write more personal texts. Her writings develop into a collection of critical poems called ‘Skál’ (‘Cheers’), about the double life that she and other youths must live in the conservative Christian world.

We’re travelling from luxury kitchen to luxury kitchen with Agnes, from Bergisch Gladbach via Barcelona to the Faroe Islands. The cook’s luggage always includes her backpack containing various knives, cleavers and tweezers. The camera watches over the inquisitive young woman’s shoulder as delicacies are being prepared. Our mouths water. At the same time, we get insights into the different ways of running a restaurant. It’s about team spirit and equality at the stove.

A shadow puppet film inspired by the story of an extinct Hawaiian tree snail (pūpū kani oe) named Lonely George.

A short film about the award ceremony at Berlinale '21 and then also about a snail.

"Without leaving his own garden, a man may know the world" - an abstract study of the wildlife found in every garden.

A documentary about The Faroe Islands' relationship to Denmark and the negotiations about further Faroese self-government.

The film depicts life in the Faroe Islands in the 1960s. It's a small society that has maintained its connection to the past, with old customs and ways of life, despite significant developments in trade and industry. Here, fishing remains one of the fundamental pillars of the Faroese economy. The film follows five men, crew members on the same trawler, from the moment they leave their homes in five different places in the Faroe Islands until they meet in the capital, Tórshavn, after long and difficult journeys to set sail on the trawler.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

An adorable candy-loving mutt goes on a mission to save the world.

Presents a day in the life of a few inhabitants of Tórshavn in the Faroe Islands: A father and his daughter are having breakfast when the fire-brigade drive by. A woman and her child are looking at the fire and meet a married couple. The couple say hello to a man who is going out with his boat... and so on.

In a small Faroese village, four men find a sealed liquor barrel washed ashore at low tide. They hustle the heavy barrel into a basement, away from the prying eyes. Soon, however, the sneaking suspicion arises that instead of liquor, the mysterious barrel might in fact contain something else. Tensions run high as the host, Símun, eventually has to handle both the negotiations down in the basement, as well as his distrustful wife upstairs.

Regalis

Two lost souls with incongruent world views meet again and again under strange circumstances and it will gradually become clear that they are connected by some force, which is bigger the they can fathom.

A half hour animated film for all the family based on the much-loved book written by Julia Donaldson and illustrated by Axel Scheffler. The Snail and the Whale is the much loved classic that shows us a restless young snail who has ambitions to travel the world. The other snails think she should stay put, but she puts out a call for a “Lift wanted around the world”. Eventually her call is answered by a great big grey-blue humpback whale! She sets off with him across the seas. On their journey the snail and the whale discover towering icebergs and far-off lands, fiery mountains and golden sands. The snail is delighted by the wonderful world around her, until she realises how small it makes her feel.

At an all time low in her personal and professional life, young architect Charlotte stumbles upon a mysterious structure in her backyard.

Cut-out animated parody of Hamlet by pioneering British animator Anson Dyer.

In the northern part of the Atlantic Ocean on the island of Troldø lives a single farming family. The grandmother Gunhild is the only woman on the island and her son Enok is unable to find a wife. Gunhild's advanced age causes her to worry for the future of the family. So she initiates a plan to get Enok married, a plan that is put into action when the young Eva becomes stranded on the island. But the community must be shaken by several dramatic events before Gunhild can breathe a sigh of relief.

Forcibly separated from her twin brother when they are orphaned, a melancholic misfit learns how to find confidence within herself amid the clutter of misfortunes and everyday life.

A veterinarian who can communicate with animals travels abroad to search for a giant sea snail.

A slug doesn't move any faster than a peeing scout.